WORKSHOPS DECEMBER WORKSHOP GO TO BUDOKAN LYMINGTON DOJO PAGE Budokan Karate We missed our workshop in 2019 but at last we were able to host it at the Lymington Dojo on Saturday 4 December. Thank you to those Budokan stalwarts who made it from Norwich, Shropshire, Sussex and London to come and join the locals for a workshop that focussed entirely on the fundamentals of our Karate. Budokan has a proud history, legacy and lineage going back 60 years. It has an impressive Black Belt Register, of over 200 people of which the majority come from the UK. Budokan has spawned over 70 Dojo in various countries and consequently a large number of Sensei too over the years. There are two additional elements both close to my heart that Budokan is also well known and respected for. The first is our mantra - “Strong in Had - Kind in Heart” - “Kokoro ni - Tsuyoi te”. The Japanese kanji for this will appear on all future Mon. The other is just as important and that is our reputation for high standards of technical competence. As the first SHO (as in Shodan or First Dan) or Founding Sensei and Chief Instructor, here in the UK, I take it upon myself to be the Guardian of technical competence at all levels across all Budokan Dojo. All Budokan Teachers and Instructors should be teaching the same fundamental and basic techniques in the "Budokan Way'. And all Budokan Black Belts know this way to be the "rigorous mental and physical training towards self-realisation in the tradition of Zen Buddhism". Alex and Tony working on their Ananko basics. Will B doing MaKeri during Ananko THE FUNDAMENTALS OF BASICS IN KATA BREATHING - Kokyu - The Power of Co-ordinated Breathing STANCES - DaChi - Right Length - Right Width - Right Angle POSTURE - Shisei - Upright - Head Balanced - Eyes and Shoulders level MOVEMENT - Balance - Rotation - Stillness POWER - Stopping, Starting and Release GLIDE WALKING - TsugiAshi - Smoothness from Point to Point JANUARY WORKSHOP GO TO LYMINGTON DOJO PAGE 1/1 Budokan Aikido We practise the aikido that emerged from the Aikikai in japan in the mid to late sixties. Chiba Sensei was chosen to bring it to theUK against his wishes. His brief was basically to beef up the aikido community here. And that is exactly what he did do. The style of Aikido at the Aikikai today has little resemblance to Chiba’s aikido at all. And with the emergence of all of the other styles of Aikido such as Yoshinkan, Tomiki, Ki Aikido to name a few - Chiba chose to refer to his Aikido as that closest to the original Aikido of the Founder and called it Traditional Aikido. And that is closest to the Aikido that we practice today and we retain the same name. Because here at Budokan we practice all of our disciplines in the same spirit of Budo that Chiba endorsed and that has become part of an already existing hallmark of Budokan. When Chiba went to live in the US, Budokan came under the influence and flair of the technically minimalist and highly effective Aikido of Tamura Sensei. Both contributed to what we refer to today as the “Budokan Way”. KokyuNage and the Art of Ukemi Kokyunage are generally described as breathing projections and so they are to be practised with breathing in both mind and body. That is coordinated and synchronised in both mind and body. So the practice of Kokyu Nage begins to be taught using the Kgeki Ho - what are generally referred to as the entire range of “attacks” used in aikido. Many students struggle with the idea that Ukemi in Kokyu Nage is no longer the response to the feeling of pain but the conscious choice to synchronise pure action in role play, Only pure action takes place One executes the action - the other takes ukemi. As pure action that requires blending into the flow of the technique and becoming a part of it. In other words there is no "attack" and no "defence". Which is completely alien to early stage aikidoka. Whilst taking ukemi is an essential and important part of the ability to become skilful in the practice of Kokyu Nage, there are however a few things that are more important to get right first. Breathing It is a basically simple premise - Breath in when receiving and breath out when projecting. Perception and Timi ng Students don’t naturally perceive potential danger in the dojo. But if you create the perception of dnager approaching and act accordingly you will move more smoothly and more importantly, at the right time . Maai Part of this perception is to establish the right distance at all times in an ever changing scenario. to limit the danger but more importantly to occupy the exact space at the right time. Sabaki And this is done using Sabaki - your angle of movement - particularly Irimi. And Ushiro Tenkan - especially when you need space - quickly.

PETER BUSH My initial involvement in the martial arts started in August 1958 when I was 7. My Father enrolled me in the Ladysmith Health & Strength Club Gymnasium situated at 37 Keate Street, Ladysmith, Natal, South Africa, to learn Judo. In 1960 after I had just attained my junior 6th Kyu (green) belt, my Father was transferred to Durban. I never continued practicing judo in Durban and it wasn’t until 1971 that I reconnected with the martial arts. At that time I was working for the Department of Justice, Durban, having just completed my compulsory one year of military service. The chief financial officer, “Hank” (Herman) van Niekerk “Sensei Van” invited me to train at Budokan, Russell Street Dojo. On my first day there I was introduced to Sensei Ray Ryan, Sempei Vic Sykes, Sempei John Sinden and two junior black belts, Alan Haig and Alan Davies. Whilst with Budokan Russell Street, I attained the grade of green belt (6th Kyu). In January 1974 I enrolled at university to start a Bachelor of Arts degree. Because of my studies I was having difficulties attending training and almost stopped karate, however, I fortuitously ran into John Reece (3rd Dan Kodokwai) who was training the Natal University Karate Club. This was a branch of Kodokwai (JKA) which John ran together with Phil Mumford. I knew John from Grosvenor Boys High School where we went to school. He invited me to train at the University club where I had the pleasure of training under Sensei Robby Ferrier. I trained with Kodokwai from 1974 to 1976 eventually attaining my blue belt (5th Kyu). I represented the university in several annual inter varsity karate championships from 1976 to 1980. In 1976 I happened to bump into Sensei Vic Sykes. He had opened his own dojo called Ninja SA a club which he had started with Albie Frazer. Sensei Vic invited me to join Ninja SA. I was honoured to do so. On 13th March 1976 I was graded to Second Brown belt (2nd Kyu). Later in March of 1976 I travelled to the UK and whilst living in London trained with Sensei Keinosuke Enoeda, (9th Dan) until I returned to Durban. I then carried on training at Ninja SA and on 19th June 1976 I was graded to First Brown (1st Kyu). In 1978 as a 1st Kyu brown belt I won the South African Karate Association All Styles Kumite Championships brown belt division. In 1979 I was graded to Shodan together with Hennie van der Merwe, Mickey Scofield, Alan Haigh and Alan Davies. Our grading panel consisted of among others, Ray Ryan, Derrick Wridgeway, Larry Foster and Vic Sykes. In November 1980 I married and moved to Matubatuba where I ran my own dojo affiliated to Budokan. I was transferred to Darnall and opened a dojo there as well, also affiliated to Budokan. On 8th October 1983 was graded to Nidan. In 1984 I returned to Durban and continued to train with Budokan both in Durban and Westville. In 1984 and 1985 I took part in Springbok trials and although selected, never actually got the opportunity to earn my Springbok Colours. South Africa was excluded from international sport because of apartheid. In the years that followed a number of competitions were held throughout South Africa. These were sponsored by Sportsman’s larger and although I achieved some success in kumite no national recognition resulted from these tournaments. In 1989 I was graded to Sandan. Sadly this was the last grading attended by Sensei Ray Ryan who died shortly after. At the 1989 grading Terry Bosch was appointed as head of Budokan SA by Ray Ryan. Terry’s gym in Umbilo then became Budokan Hombo Dojo. I continued to train with Sensei Terry until March 2008 when I moved to the United Kingdom. During my karate career I have had the pleasure of training under Sensei Keinosuke Enoeda, Sensei Shigeru Kimura, Sensei Chojiro Tani, Sensei Yashitatsu Fukawa (Kendo) and Sensei Hasui Sasaki (Kendo). Sensei Hasui Sasaki was the head of the Kyoto Riot police and was invited to Durban by Sensei Ray Ryan. In 2003 I became an Advocate (Barrister) and a member of the Society of Advocates of KwaZulu Natal. I continued to train with Sensei Terry Bosch in Umbilo and with Sensei Vic Sykes in Hillcrest. In 2008 I moved to the United Kingdom where I was called to the Bar as a member of the Honorable Society of the Inner Temple. I digress to mention that when leaving for the UK in 1976, Sensei Ray Ryan had urged me to contact Sensei David Passmore whilst I was there, however, I could not find him. Fortuitously, I discovered that he was training in Lymington and visited him at Budokan UK dojo in around March of 2014. In February 2015 Sensei David Passmore “convinced” me to train with at the Budokan Lymington dojo. On 12th December 2015 I was graded to Godan (5th dan) and received the rank of Shihan. I have subsequently been given the rank of Renshi. 2018 and 2019 were wasted years because of the pandemic. I currently train at the Amazon Gym in Shropham, mostly doing kata and zazen. I have a Zen Garden at home where I practice zazen. I practice iaido at home primarily because I don’t like spectators around me when doing sword work. I remain an active member of Budokan UK as the Registrar and member of the Shihonkai.

SHIKANTAZA An aide memoire Shikantaza (just simply sitting) is objectless meditation, in which the practitioner uses the power developed in concentration to remain in a state of conscious awareness. There are a variety of different views on what sikantaza actially means. Some say shikantaza is described best as, "quiet sitting in open awareness, reflecting directly on the reality of life". Shikantaza is often termed a goalless meditation in quiet awareness, not working on any koan, or counting the breath. It is an alert condition, performed erect, with no trace of sluggishness or drowsiness. Som scholars have said that shi means tranquility, kan refers to awareness, ta means hitting exactly the right spot and za means to sit. For me it all comes down to "j ust simply sitting still in tranquil awareness ". Zen - meaning meditation - changes your spirit by reflection. What follows is a short travelogue of nudges, reminders and observations to help you on the road to the Shikantaza experience. On the left hand side you will see some figures in bold . These figures should be used as a rough guide to the aproximate times that should have lapsed during your preparation and each section of your parctice. The first figure is for less experienced maditators. The second figure is for experienced meditators. Everybody is different and you will find out what suits you from your own experience. After you have sat down and become aware that you are upright and comfortable - from that moment prepare yourself - it varies with each individual. Close your eyes lightly - and keep them closed for the entire "zesshin". Breathe from the lower abdomen - so it becomes "abdominal respiration". It also called diaphragmatic respiration. Do not use your upper chest for breathing and keep your shoulders level and relaxed. Place your tongue lightly on the roof of your mouth and try to keep it there. You can't easily breathe in via the mouth if the tongue is in this position for long. You must breathe in and out through the nose. Slowly breathe in through your nose to say 5 seconds. Slowly breathe out through your nose for say 7 seconds Where the CO2 exhaled from your lungs is greater than the oxygen you breathed in. Keep just this going for a while and establish a rhythm of diaphragmatic breathing which reaches an equilibrium of around 5 or 6 seconds and 5 or 6 seconds out. Interestingly, this has historical precedent in religious practices where 6 seconds is exactly the time it takes to accomplish certain Buddhist mantra's and it is also found the same exhalation is used whilst citing the Christian Rosary. ..................................................Now become AWARE. On a wide range of levels. Your stillness is critical so - DO NOT MOVE UNLESS YOU HAVE TO. From below the belt you are absolutely rooted to the spot you are sitting on. No movement there. Your heartbeat - feel it - really feel it. Your body is still and your muscles have nothing to do - so they soften. And soften they do as you take in more oxygen into your blood through the established rhythm of your breathing. As the muscles soften your joints begin to open. There is the rhythm of your lower abdominal nuscles. In the stomach area the Japanese call the Hara. And there you will find what is called the Tanden. The single spot in the lower abdomen - about an inch or so directly below your navel. It is your centre of gravity. As you breathe in - they expand out - not too much. As you breathe out - they contract - just a little more. Maintain the rhythm. Slowly and imperceptibly, your muscles have softened to the point where you have become aware of it and you have to micro manage your posture from time to time in 4 tiny movements. 1 Most peoples heads move a little forward, so every now and then you need to move your head back to the midline of your shoulders and tuck your chin in just a little at the same time. 2 Raise your ribcage - this is the area where most people begin to stoop from. 3 This will lead you to gently make your lumbar vertebrae a little more concave. 4 Allow both shoulders to drop evenly. You will need to continue to make micro adjustments to your posture, (as above) as it naturally changes and you become used to feeling it necessary to do so. Its not a thought process - its just a feeling. And it usually ends up being a lot more comfortable. So keep doing it please. Maintain your breathing ryhthm. And become aware of your senses. Move your attention to your eyes and slowly roll them a little. From there flare your nose a few times as you breathe in. Push your tongue gently up to the roof of your mouth. Become aware of your hearing. Move your fingers a little for touch. And now you sense of being.....here.....now.... Turn your awareness onto your brain. That houses the mind. The best difference between the two I have read is "The brain is indeed the physical structure. Neurons, axons, dendrites, neurotransmitters, synapses, discrete structures… All that and more. The “mind” (consciousness) is the “emergent property” of the activity of that brain". Quora Past , present and future thoughts - pop in and out all the time - as has already been happening to you. Let them come and go. Learn how to get back to your awarenes of what you are doing in the present. Let the past go and do not look to the future - always stay in the present - it is not easy but comes with practice. And the flow of thoughts will begin to slow down as they should have by now. By raising or slowing our brainwaves, we can altar how we think, feel and act. Meditation is the process of slowing our alerting beta brainwaves to the slower states of alpha and theta. Beta is the waking, thinking state. It is our normal state of mind in which we are the highly alert. Alpha is a slower state more indicative of relaxing and reflecting. Meditation is often practiced in the alpha state. Theta is an even slower state perfect for daydreaming and intuitive thinking. Deep meditation and prayer are practiced in the theta state. Delta is the slowest of the four states where sleep occurs. At the slowest delta level, sleep is deep and dreamless. Neuroimaging studies suggest that the normal resting state of the brain is a silent current of thoughts, images and memories that is not induced by sensory input or intentional reasoning, but emerges spontaneously "from within." This is what the Zen Buddhists from the Soto sect refer to as “silent illumination”. And that is what actually happens - as feelings come before thoughts. But here in this stillness of the body, the rhythm of the breath opens the way to a deep, visceral awareness. It is much like Metsuke - a much heightened form of conscious awareness than Zanshin when training in Budo, along with the physical manifestation of Kime when doing any Kata. The head, heart and soul of it all. Our thoughts, our desires and our experiences. It is the awareness of awarenesses. And it is here that you have to work hard at sliencing your inner monologue from trying to analyse or comment on what you see and experience. It is the point when your subjective experiences becomes objective observation. It is where subjective and objective meet. Which ever so slowly over time begins to evolve into a clearer perception of the world inside your head and the real world out there. Images appear and disappear in a kaleidoscope of colour. Some are quite quick and slow to disappear. Some just slowly emerge into recognisable images. Many are landscapes and vistas that are new to you. Some are people and faces you have never seen before. You can't hold on to them for longer than a few seconds - most try to and fail. Swirling cloud-like images float around and past you. Giving you an impression of movement. Slowly you reach a deep state of absolute stilness and silence. It is often referred to as the "void". It is as if you are at the edge of space. You are in awe for what you think is an eternity. .../.../.../.../.../.../.../.../.../.../.../../../../../../../../../../../../../../../.................. Einstein said "The most beautiful thing we can experience is the mysterious; It is the source of all true art and science". How you emerge from this experience depends on the environment you are in. Always try to do so slowly if you can. Keeping your eyes closed for a few minutes more. Tuck your chin in to your chest - round your shoulders and your spine and gently stretch forward, as far as you comfortably can and hold for a minute. Sit up slowly and rotate your shoulders both ways by moving your arms. Move your head up and down slowly. And then to the left and the right. Sit still and upright for a moment with youe eyes open. Feel the moment. Lao Tzu said "Meditation is vital energy". And I do generally feel vitalised and full of energy in the immediate hours thereafter. But for me the chief consequence of doing 45 minutes or an hour of Shikantaza first thing in the morning, is the beautiful feeling of having tapped into my inuitive self aong with a sense of clarity that remains present with me for the rest of my day. Well, almost. It is not easy to practice Shikantaza every day - but the benefits are supreme. Each and every day thereafter. David Passmore Kyoshi At the beginning of 2021 DRAW A VEIL OVER THE FUTURE. LET GO OF THE PAST. EMBRACE THE PRESENT. 5-10

SLIDER TEST FOR HOMEPAGE

BUDOKAN KARATE IN JEFFREYS BAY 14 TECOMA STREET JEFFREYS BAY SOUTH AFRICA 6330 EVERY WEEKDAY MORNING AT 10AM BEGINNERS WELCOME 1960 - 2022 Classes are held in a vibrant atmosphere where students benefit from some of the highest quality tuition available in SA today. Discipline KARATE Chief Instructor LOEK LATEGAN 7 DAN BREAKING NEWS 11 December 2020 Chief Instructor Loek Lategan received the news that two of his most loyal students had been awarded their Dan Grades after many years of continuous training as follows: Cobus Calitz 6th Dan Karate Marie Perelis 2nd Dan Karate Congratulations to all concerned. Marie Petrelis

BUDOKAN BLACK BELT REGISTER © 1960 - 2024 RICHARD SALMON RAY RYAN 1963* DUNLOP PAUL 1964* DERRICK WRIDGWAY 1965 FRANK VAN RENSBURG 1966* DAVID PASSMORE 1966 JOHN SINDEN 1966 STAN MAHER 1966 WHITEY POLLETT 1966* RONNIE MILLS 1966 WILLIE RIDDEX 1967* VICTOR SYKES 1967* JON WYATT 1967 MICHAEL GETAZ 1967 HERMAN VAN NIEKERK 1968 AUTREY WILKE 1968 LEO LIPINSKI 1968* THEO WOLMARANS 1968 HUGH SADLER 1968 RICKY MARCUS 1968 COLIN MATHESON 1968 BOB SIMMS 1968* STEVEN MANTHEE 1968 TREVOR WISHART 1968 DOUGGIE KNOX 1968* JONATHAN GEVISSER 1968 BILL SUTHERLAND 1968 JAN STEENKAMP 1968 DUP DUPLESSIS 1968 STAN HART 1969 HENRY WOLMARANS 1969 FRANK VAN NIEKERK 1969 BILL COLEMAN 1969 PAUL DE BEER 1969 CLIFF LOWRY-ROSS 1969* LOEK LATAGAN 1970 DON PEDDIE 1970 KELVIN FORDER 1970 MIKE HERSHOWITZ 1970 CORRIE SCHOEMAN 1970 FRIK WILLEMSE 1970 DAVE WILLIAMS 1970 FRITZ SCHREIBER 1970 KURT VAN DUYN 1970 GRAHAM MAXWELL 1970 PADDY CARSTENS 1970 NICK STAMATIS 1970 KEN LEE 1970 CLIFF LAWRIE-ROSS 1970* CAS PRETORIOUS 1971* LUZETTE HERBST 1971 TERRY BOSCH 1971 DAVE MILLAR 1972 LARRY GORGE 1972 TREVOR STEADMAN 1972 DAVID WILLS 1973 ROBER MAUVISE 1973 BRAD SHEPPHARD 1974 CRAIG JONES 1974 JOHAN COETZEE 1974 AMADEO NUNES 1974 GREG FORDER 1974 VIVIAN PLATT 1974 JAMIE NOOHAN 1975 BRIAN VAN DER MERWE 1975 BERYL BATTY 1976 TOY MARROT 1976 MARIO STEFANO 1976 MICHAEL BOND 1976* BRETT VAN ZYL 1976 JEAN CLAUDE LATTER 1976 SANDI GROOM 1976* JESSIE MOODLEY 1976 CHRIS ELLIS 1976 JEROME GUMEDE 1976 WILSON GCABA 1976 PAUL GLADMAN 1976 ANDRE LABOUCHARDIERE 1976 BRETT VAN ZYL 1976 MARION TINKLER 1976 ROCKY PRETORIOUS 1976 NEIL CRAFFORD 1976* HENNIE VAN DER MERWE 1976 * MICK MARTELL 1976 PAUL BUDDEN 1977 PETER BUSH 1977 HAMEED KAZEROONI 1977 ALAN HAIG 1977 ROY ESTABROOK 1977 ALAN DAVIES 1977 TONY HOPPER 1978 MARGARET ROGERS 1978 ROBERT ROHREY 1978 PETER MORLEY 1979 ROY MUSHENS 1979 MICHAEL SCHOFIELD 1977 ALLAN PERT 1979 ROBBIE ROWE 1979 MAHMOOD FAHKRO 1979 DEREK FLYNN 1979 GRANT PRETORIOUS 1979 HERBIE EDWARDS 1979* MALCOLM SEGAR 1979 JOHN STEENHUIZEN 1979 RAY STRODL 1979 CAROL STRODL 1979 JEAN RESCH 1980* PAUL SMITH 1980 DAVID WATERS 1980 KEITH WRIGHT 1980 PHIL NOKES 1980 JOHN HEGARTY 1980 SHANE COLEMAN 1981 JULIE TULLIS 1981* TONY GREEN 1982 SUSIE WALTERS 1982 KOBUS GROBLER 1982 IAN CARD 1982 * SUHAIL ISLAM 1982 JOHN HITCHENS 1982 GAIL COETZEE 1982 ARUN SUBBIAH 1982 DAVID STEWART 1983 CAROLYN FRANCIS 1983 KEN BROOKS 1983 ANDY COTTON 1983 DANIEL VAN VUUREN 1983 DAVID NEWMAN 1984 COBUS CALITZ 1984 MARK DALE 1984 BRIAN MAY 1984 COLIN THOMAS 1984 GORDON PARRISH 1984 STEPHEN HINDLE 1984 ANDY FOX 1985 CAROL LEVY 1985 * ROGER TYM 1985 PETER ROBINSON 1985 BOB ALLAN 1984* GARY SEGHERS 1985 DAVID ROGERS 1985 NICKI CHARNICK 1985 DALE PARRISH 1985 NEIL STARKS 1985 DIANE VAN VUUREN 1985 ROBIN FULLER 1986 ANDREW BROWN 1986 * MARK HINDLE 1986 ATTIE STONE 1986 JON FINCH 1988 LAWRENCE BROWN 1988 KEITH COETZEE 1989 SHAWN DANCER 1989 DAVE EDWARDS 1989 ANDREW HILL 1989 MICKY KLEB 1989 BURT MILLIGAN 1989 MICHAEL SPELLMAN 1990 ANNE RILEY 1991 BERYL BATTY 1991 KEITH BOSCH 1991 STEPHEN HARWOOD 1991 KELVIN DANIELS 1992 PAT MILLER 1992 TONY MCLAUGHLIN 1992 JAMES MATTHEWS 1992 PHILIP RYAN 1993 TREVOR HUGHES 1993 * HILARY CRUNDWELL 1993 PAUL MADIGAN 1993 DAVID MOTE 1994 KEITH TRIGWELL 1994 RICK WILSON 1994 ELIZABETH WRIGHT 1994 GARY DEACONS 1994 TOM FEENEY 1995 MARTIN ROSE 1995 PAUL LAZARUS 1995 ALAN LOCKHART 1996 PAUL HERMAN 1997 DAVID GOLDING 1998 WAYNE MORRIS 1998 KATHY KIRBY 1999 DARREN WAGHORNE 1999 IAN BATES 2001 JOHN LAWN 2003 ROBIN SALMON 2004 JOE BRACONE 2006 MARTIN MILNE SMITH 2006 LINDA BURNS 2007 TED WATTLESWORTH 2007 RICHARD COZENS 2008 MICHAEL CLAPHAM 2008 ROGER MILNE SMITH 2008 CLAIRE MILNE SMITH 2008 NICK SINGLETON 2009 ANDY ROBERTS 2009 DWINDAR NAR 2011 JAN CLAPHAM 2012 KEITH MOLYNEUX 2012 STEVE HEAD 2013 EAMON TOGHER 2013 TOBY MELLOWS 2013 ARTUR SIEPKA 2013 LAURENTIU SUTA 2013 ALEX BLUNT 2015 PAUL FLOYD 2015 RICHARD LILLINGTON 2015 TRACY HARPER 2016 PETER BENSON 2016 PAUL MINTO 2016 MARIE PETRELIS 2016 MARK JOSCELYNE 2017 BRIAN GOODALL 2017 IVOR HOBBINS 2018 ALISTAIR CARR 2018 CHRISTOPHER HYLTON 2019 WILL BUTCHER 2020 ARTUR BORCUCH 2021 JAMES BRYDEN 2022 © BUDOKAN BLACK BELT REGISTER 2023

1960 - 2021 Kancho Mamoru Miwa is the Master and Founder of the Tenshinkan Style. He is a 10th Dan Black Belt Master and holder of a Masters Degree in Kobu-Jitsu, Aiki-Jitsu and Karate. Kancho Miwa’s Grandfather was a Samurai (Emperor’s Warrior). His father also was a Shogun Samurai Guard to the Emperor until his retirement. Kancho Miwa started Martial Arts training at the age of five. Kancho Miwa trained in Aiki-do, Ju-jitsu, Goshinjitsu, Kobudo and Bushido (Ninjitsu). Kancho Mamoru Miwa is extremely proficient in kobujutsu and kenjutsu and Tenshinkan Karate puts strong emphasizes on sabaki and aikijutsu KOBUJUTSU WEAPONS Kancho Inoue Motokatsu 1918-1993. Born in Tokyo in December 1918. Inoue O’Sensei studied martial arts from when he was eight. His first teacher was Fujita Seiko Sensei the 14th headmaster of Kouga Ninja Ryu He studied Karate under Konishi Yasuhiro, founder of Shindo Shizen Ryu. O’Sensei started training with Taira Sensei at the age of 20. Taira Sensei made Inoue O’Sensei president of Ryukyu Kobujutsu Hozon Shinko Kai. O’Sensei studied Aikido under Shioda Gozo Sensei one of the most senior disciples of Grandmaster Ueshiba Mohirei The kobujutsu weapons are known as : Bo (or kon in Chinese), it is a 6 foot wooden staff the Japanese refer to it as Rokushaku Bo, (roku six, shaku is unit of measure slightly shorter than a foot, BO means wood). This implement had many uses in olden times, it could have being used to carry water (one vessel on each end of the staff) and as a walking stick, Nunchahku , two pieces of wood joined by a short string, it appears that it could have been either horse bits or flails to beat grains it became popular in the 70s with Bruce Lee. Tonfa , looks like a police baton with an handle attached at 90 degrees close to one end and they are used in pairs, Tekko look like knuckle dusters and they were made out of horse shoes, Kama a pair of short bladed sickles, Sai a pair of metal truncheons possibly another farming implement. Tinbe a small shield (35 t0 50 cm made of metal or tortoise shell or woven rattan) and Rochin a short spear. Surujin , it is a small links chain approximately 1.2 meters long and has a weight at one end of it. These were weapons developed by the people of the Ryukyu kingdom during the period of weapons embargo imposed by the Samurai cast in the prevention of further revolts in the effort of establishing peace and unifying Japan. TENSHINKAN HISTORY AND LINEAGE KARATE HISTORY KOBUJUTSU HISTORY Hanshi Hans Haupt. 8th Dan Tenshinkan Karate and World Liaison Officer under Kancho Mamoru Miwa. Hanshi Hans was a disciple of O’Sensei Inoue Motokatsu in the mid 70s and obtained 4th in Ryukyu Kobujutsu Hozon Shinko Kai. Hanshi Hans also studied Ju-Jutsu Saito Ryu and obtained the rank of 4th Dan. Hanshi Hans founded Tenshinkan Ryukyu Kobujutsu to honour Kancho Mamoru Miwa Shihan-dai Joe Bracone. 5th Dan Tenshinkan Karate and 3rd Dan Tenshinkan Ryukyu Kobujutsu trained and graded by Hanshi Hans Haupt. Before relocating to UK, he was South Africa Honbu Dojo deputy Chief Instructor, achieved many top 3 places in many national competitions. He is a keen student of goshin-jutsu and an avid practitioner of sabaki and combination techniques. KOBUJUTSU HISTORY KOBUJUTSU means “the ancient art of the weapons” and it refers to as the way of becoming skilled in the art those weapons. Ryukyu Kobujutsu is a weapons system from Okinawa. It includes the effective use of Bo, Sai, Tonfa, Nunchaku, Kama, Tekko, Tinbe and Rochin, and Surujin. Like karate, Kobujutsu training is divided into Kihon (basics), Kata (forms), and Kumite (fighting). Kobujutsu has its beginning about 700 years ago. The masters of the 18th, 19th, and 20th centuries were worried that the techniques and kata were being lost and made great efforts to restore and promote Ryukyu Kobujutsu. One of these masters was Shinken Taira. He compiled and authenticated 42 Weapons kata, spread across 8 weapons. KOBUJUTSU MASTERS The Ryukyu Kobujutsu appeared in history approximately 700 years ago. It is said that it was the period of heroes. With the wide spreading of Kobujutsu , many great teachers such as Soeishi, Sakugawa, Chatanyara appeared in the 17th ,18th and 19th centuries In Taisho era [around the beginning of 20th century], some masters were deeply concerned about this heritage and made great efforts to restore and promote Ryukyu Kobujutsu. Subsequently, the late master Shinken Taira, who was a disciple of master Moden Yabiku sensei, had comprehensively compiled 42 Weapon Kata which consist of eight kinds of Weapons specified previously and founded The Ryukyu Kobujutsu Hozon Shinko Kai a body for the preservation of this ancient art. All of these Kata had been taught to the late master Kancho Inoue Motokatsu who was the closest disciple of master Taira and later president of RYUKYU KOBUJUTSU HOZON SHINKO KAI.

ACCREDITATION This page will hold all of the information headings required for accreditation of Rank and Title. It is directed to the person or persons making the recommendation for an individual to receive a Dan Grade Rank such as a Dojo Leader or Chief Instructor. In the event that a Dojo Leader is being put forward for a Certificate of Rank, it will require the additional names of two referees acting in support of their recommendation. APPLICATION FOR CERTIFICATE OF GRADE PLEASE USE THESE HEADINGS FOR INFORMATION PROVIDED NAME OF RECOMMENDER GRADE AND TITLE DISCIPLINE (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT GRADE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Consideration is given to each of the following : - grading record as above, years of continuous training, technical skill prowess, accomplishments, dedication and service, attitude, teaching and instruction, heart, values and excellence in personal character. APPLICATION FOR CERTIFICATE OF TITLE FOR INFORMATION PURPOSES ONLY RECOMMENDER WILL BE BUDOKAN IN ASSOCIATION WITH DOJO LEADERS NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT TITLE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN DOJO HISTORY TITLES AWARDED ACCOMPLISHMENTS RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Titles are awarded to those who have made an outstanding personal contribution to the promotion and development of Traditional Japanese Budo, showing leadership in teaching and the maintenance of a high personal level of Budo skills over decades of continuous service.

JULIE TULLIS Julie Tullis (née Palau) (15 March 1939 – 6/7 August 1986) was a British climber and filmmaker who died while descending from K2 's summit during a storm, along with four other climbers from several expeditions, during the "Black Summer" of 1986. Julie was born to Erica and Francis Palau. Her early life was disrupted by the outbreak of World War II . In 1956, she began climbing near Tunbridge Wells , where she met Terry Tullis. In 1959, they were married and spent the following years running various small businesses. They also continued climbing, in addition to which Julie studied traditional Japanese martial arts, under David Passmore in the Budokan school, Tunbridge Wells. She occasionally practised karate forms in traditional hakama when climbing. Tullis met Austrian climber Kurt Diemberger in 1976, and by 1980 they were working together on lecture tours. In 1981, Diemberger hired Tullis as a technician for an expedition to Nanga Parbat , and their high-altitude filming career began. It would include, in the following years, expeditions to the North ridge of K2 and the unclimbed North-East ridge of Mount Everest . In 1984, Tullis and Diemberger climbed Broad Peak , and after more film work they went on an expedition to climb K2, in 1986, becoming part of the 1986 K2 disaster . Although Tullis and Diemberger finally made the summit on 4 August 1986, making Tullis the first British woman to do so, they were exhausted from spending several days above 8,000 metres; 26,000' (known as the death zone ). On the descent, Tullis slipped and fell; although Diemberger's belay successfully saved them both, it is likely that Tullis suffered internal or head injuries that began to affect her vision and co-ordination.[citation needed ] Arriving at Camp IV they were trapped in their tents by a storm that lasted for several days. All the trapped climbers deteriorated physically and mentally, lacking food, sleep, oxygen and, once the gas for the stoves ran out, the ability to melt snow and produce water. This, in turn, made them vulnerable to pulmonary or cerebral oedema , which in Tullis' condition would have been rapidly fatal. Tullis died on the night of 6/7 August (the accounts of Diemberger and another climber present, Willi Bauer, differ on the date) and was buried on the mountainside. * wikipedia More on her Japanese Budo life to come.

BUDOKAN LINEAGE The Doshu, Ray Ryan, Teachers and Instructors of Budokan have been extraordinarily fortunate to have had access to some of the most technically competent Japanese and European teachers across many major disciplines for over six decades. All of them are proud to have had the privelige of training with these teachers whose own lineage stretches back to the Founders of these disciplines. With the deepest gratitude and humility we associate ourselves directly with them. KARATE THE INFUENCE OF THE FOUNDERS It was inteeresting to read the writings of Doshu when describing his visits to Japan with Ray Ryan and his time spent training with the "Old Masters of the different systems of the day, Tani, Fugiwara, Mas O'yama, Gogen Yamaguchi, Nakayama, Kase of JKA and many of other Senior Senseis and of course not forgetting my first great Sensei, Taniguchi Goju in Brazil". "I had the support and recognition of Tani 'Hanshi' head of Tani-ha Shukokai and Fugiwara 'Hanshi", who was head of the World Karate Union Teaching Department of Shukokai of Japan, OYAMA NAKAYAMA And those that followed... Kimura Kase Taniguchi Kanazawa. Gosen Yamaguchi Salmon Doshu Ryan MORIHEI UESHIBA Founder of Aikido SAITO SENSEI TAMURA SENSEI KISSHOMARU UESHIBA YAMAGUCHI SENSEI CHIBA SENSEI KANETSUKA SENSEI SEKIYA SENSEI ISHIDO SENSEI HIROI SENSEI A little history Shukokai (literally translated as "Way for All" or association of those who study together) was founded by Tani Chojiro in 1949. Sensei Tani started his formal Karate training under Miyagi Chojun, founder of Goju, whilst a student at Doshisha University, Kyoto. After some years, Miyagi Sensei returned to Okinawa and Sensei Kenwa Mabuni, founder of Shitoryu took over the teaching. In deference to his friend, whom he had assisted on his arrival in Japan, Mabuni Sensei only taught Naha-te at the university karate club. On graduation from university Sensei Tani followed Mabuni learning first the Shuri-te system and then ultimately the developing Shitoryu system. After many years of training under Mabuni as one of his most senior students, Sensei Tani received the certificate of succession, entitling him to use the name Tani-ha Shitoryu (the Tani sect of Shitoryu). In 1949 Sensei Tani, whilst still a high school teacher, founded his own school, which he called Shukokai. On the death of Mabuni Kenwa, in 1952, many of the senior students went their own way and at this time Tani Sensei adopted the name bestowed by Mabuni, Tani-ha Shitoryu - and with two other senior students, Fujiwara and Fujitani, began creating the world wide system, for which he is now so respected. Fujiwara Sensei died some years ago and Fujitani Sensei now heads his own organization called Myobukai.. Shukokai has been taught outside Japan mainly by three senior instructors, Kimura, Nanbu and Suzuki, between them assisting in the creation of a world wide recognition and respect for their style. Chief Technical Master of Shukokai was Shigeru Kimura, 8th Dan. Sensei Kimura commenced karate at the age of 16 under Sensei Tani. At 21 he won the All Japan Shito ryu Championship, and after winning that title for the second time in 1964, ceased participating in championship Karate to devote his life to developing the style of Karate now known and respected throughout the world as SHUKOKAI. At 34, Sensei Kimura was the youngest ever 7th Dan from an internationally recognized style and reached the rank of 8th Dan Hanshi (Master). The Legends YAMAGUCHI AIKIDO IAIDO JIGARO KANO Founder of Judo JUDO GICHIN FUNAKOSHI Founder of Shotokan CHOJIRO TANI Founder of Shukokai Ryu CHŌJUN MIYAGI Founder of Goju Ryu KENWA MABUNI Founder of Shito Ryu VIC COOK DAVID ANSELL YAMADA SENSEI

The Philosophy of Budo Budo, the martial ways of Japan, have their origins in the traditions of bushido—the way of the warrior . Budo is a time-honoured form of physical culture comprising of judo, kendo, kyudo, sumo, karatedo, aikido, shorinji kempo, naginata and jukendo. Practitioners study the skills while striving to unify mind , technique and body; develop his or her character; enhance their sense of morality ; and to cultivate a respectful and courteous demeanour. Practised steadfastly, these admirable traits become intrinsic to the character of the practitioner. The Budo arts serve as a path to self-perfection. This elevation of the human spirit will contribute to social prosperity and harmony, and ultimately, benefit the people of the world. Written on 10 October, 2008 by the Japanese Budo Association (Nippon Budo Kyogikai) English translation approved on 1 May, 2009 ©2009 The Japanese Budo Association