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1960 - 2021 Kancho Mamoru Miwa is the Master and Founder of the Tenshinkan Style. He is a 10th Dan Black Belt Master and holder of a Masters Degree in Kobu-Jitsu, Aiki-Jitsu and Karate. Kancho Miwa’s Grandfather was a Samurai (Emperor’s Warrior). His father also was a Shogun Samurai Guard to the Emperor until his retirement. Kancho Miwa started Martial Arts training at the age of five. Kancho Miwa trained in Aiki-do, Ju-jitsu, Goshinjitsu, Kobudo and Bushido (Ninjitsu). Kancho Mamoru Miwa is extremely proficient in kobujutsu and kenjutsu and Tenshinkan Karate puts strong emphasizes on sabaki and aikijutsu KOBUJUTSU WEAPONS Kancho Inoue Motokatsu 1918-1993. Born in Tokyo in December 1918. Inoue O’Sensei studied martial arts from when he was eight. His first teacher was Fujita Seiko Sensei the 14th headmaster of Kouga Ninja Ryu He studied Karate under Konishi Yasuhiro, founder of Shindo Shizen Ryu. O’Sensei started training with Taira Sensei at the age of 20. Taira Sensei made Inoue O’Sensei president of Ryukyu Kobujutsu Hozon Shinko Kai. O’Sensei studied Aikido under Shioda Gozo Sensei one of the most senior disciples of Grandmaster Ueshiba Mohirei The kobujutsu weapons are known as : Bo (or kon in Chinese), it is a 6 foot wooden staff the Japanese refer to it as Rokushaku Bo, (roku six, shaku is unit of measure slightly shorter than a foot, BO means wood). This implement had many uses in olden times, it could have being used to carry water (one vessel on each end of the staff) and as a walking stick, Nunchahku , two pieces of wood joined by a short string, it appears that it could have been either horse bits or flails to beat grains it became popular in the 70s with Bruce Lee. Tonfa , looks like a police baton with an handle attached at 90 degrees close to one end and they are used in pairs, Tekko look like knuckle dusters and they were made out of horse shoes, Kama a pair of short bladed sickles, Sai a pair of metal truncheons possibly another farming implement. Tinbe a small shield (35 t0 50 cm made of metal or tortoise shell or woven rattan) and Rochin a short spear. Surujin , it is a small links chain approximately 1.2 meters long and has a weight at one end of it. These were weapons developed by the people of the Ryukyu kingdom during the period of weapons embargo imposed by the Samurai cast in the prevention of further revolts in the effort of establishing peace and unifying Japan. TENSHINKAN HISTORY AND LINEAGE KARATE HISTORY KOBUJUTSU HISTORY Hanshi Hans Haupt. 8th Dan Tenshinkan Karate and World Liaison Officer under Kancho Mamoru Miwa. Hanshi Hans was a disciple of O’Sensei Inoue Motokatsu in the mid 70s and obtained 4th in Ryukyu Kobujutsu Hozon Shinko Kai. Hanshi Hans also studied Ju-Jutsu Saito Ryu and obtained the rank of 4th Dan. Hanshi Hans founded Tenshinkan Ryukyu Kobujutsu to honour Kancho Mamoru Miwa Shihan-dai Joe Bracone. 5th Dan Tenshinkan Karate and 3rd Dan Tenshinkan Ryukyu Kobujutsu trained and graded by Hanshi Hans Haupt. Before relocating to UK, he was South Africa Honbu Dojo deputy Chief Instructor, achieved many top 3 places in many national competitions. He is a keen student of goshin-jutsu and an avid practitioner of sabaki and combination techniques. KOBUJUTSU HISTORY KOBUJUTSU means “the ancient art of the weapons” and it refers to as the way of becoming skilled in the art those weapons. Ryukyu Kobujutsu is a weapons system from Okinawa. It includes the effective use of Bo, Sai, Tonfa, Nunchaku, Kama, Tekko, Tinbe and Rochin, and Surujin. Like karate, Kobujutsu training is divided into Kihon (basics), Kata (forms), and Kumite (fighting). Kobujutsu has its beginning about 700 years ago. The masters of the 18th, 19th, and 20th centuries were worried that the techniques and kata were being lost and made great efforts to restore and promote Ryukyu Kobujutsu. One of these masters was Shinken Taira. He compiled and authenticated 42 Weapons kata, spread across 8 weapons. KOBUJUTSU MASTERS The Ryukyu Kobujutsu appeared in history approximately 700 years ago. It is said that it was the period of heroes. With the wide spreading of Kobujutsu , many great teachers such as Soeishi, Sakugawa, Chatanyara appeared in the 17th ,18th and 19th centuries In Taisho era [around the beginning of 20th century], some masters were deeply concerned about this heritage and made great efforts to restore and promote Ryukyu Kobujutsu. Subsequently, the late master Shinken Taira, who was a disciple of master Moden Yabiku sensei, had comprehensively compiled 42 Weapon Kata which consist of eight kinds of Weapons specified previously and founded The Ryukyu Kobujutsu Hozon Shinko Kai a body for the preservation of this ancient art. All of these Kata had been taught to the late master Kancho Inoue Motokatsu who was the closest disciple of master Taira and later president of RYUKYU KOBUJUTSU HOZON SHINKO KAI.

ACCREDITATION This page will hold all of the information headings required for accreditation of Rank and Title. It is directed to the person or persons making the recommendation for an individual to receive a Dan Grade Rank such as a Dojo Leader or Chief Instructor. In the event that a Dojo Leader is being put forward for a Certificate of Rank, it will require the additional names of two referees acting in support of their recommendation. APPLICATION FOR CERTIFICATE OF GRADE PLEASE USE THESE HEADINGS FOR INFORMATION PROVIDED NAME OF RECOMMENDER GRADE AND TITLE DISCIPLINE (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT GRADE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Consideration is given to each of the following : - grading record as above, years of continuous training, technical skill prowess, accomplishments, dedication and service, attitude, teaching and instruction, heart, values and excellence in personal character. APPLICATION FOR CERTIFICATE OF TITLE FOR INFORMATION PURPOSES ONLY RECOMMENDER WILL BE BUDOKAN IN ASSOCIATION WITH DOJO LEADERS NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT TITLE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN DOJO HISTORY TITLES AWARDED ACCOMPLISHMENTS RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Titles are awarded to those who have made an outstanding personal contribution to the promotion and development of Traditional Japanese Budo, showing leadership in teaching and the maintenance of a high personal level of Budo skills over decades of continuous service.

JULIE TULLIS Julie Tullis (née Palau) (15 March 1939 – 6/7 August 1986) was a British climber and filmmaker who died while descending from K2 's summit during a storm, along with four other climbers from several expeditions, during the "Black Summer" of 1986. Julie was born to Erica and Francis Palau. Her early life was disrupted by the outbreak of World War II . In 1956, she began climbing near Tunbridge Wells , where she met Terry Tullis. In 1959, they were married and spent the following years running various small businesses. They also continued climbing, in addition to which Julie studied traditional Japanese martial arts, under David Passmore in the Budokan school, Tunbridge Wells. She occasionally practised karate forms in traditional hakama when climbing. Tullis met Austrian climber Kurt Diemberger in 1976, and by 1980 they were working together on lecture tours. In 1981, Diemberger hired Tullis as a technician for an expedition to Nanga Parbat , and their high-altitude filming career began. It would include, in the following years, expeditions to the North ridge of K2 and the unclimbed North-East ridge of Mount Everest . In 1984, Tullis and Diemberger climbed Broad Peak , and after more film work they went on an expedition to climb K2, in 1986, becoming part of the 1986 K2 disaster . Although Tullis and Diemberger finally made the summit on 4 August 1986, making Tullis the first British woman to do so, they were exhausted from spending several days above 8,000 metres; 26,000' (known as the death zone ). On the descent, Tullis slipped and fell; although Diemberger's belay successfully saved them both, it is likely that Tullis suffered internal or head injuries that began to affect her vision and co-ordination.[citation needed ] Arriving at Camp IV they were trapped in their tents by a storm that lasted for several days. All the trapped climbers deteriorated physically and mentally, lacking food, sleep, oxygen and, once the gas for the stoves ran out, the ability to melt snow and produce water. This, in turn, made them vulnerable to pulmonary or cerebral oedema , which in Tullis' condition would have been rapidly fatal. Tullis died on the night of 6/7 August (the accounts of Diemberger and another climber present, Willi Bauer, differ on the date) and was buried on the mountainside. * wikipedia More on her Japanese Budo life to come.

THE ART OF KARATE KATA Aesthetics and Power Kata in Japanese simply means form and their origin can be traced back to the relationship between China and Okinawa, during the early years of trading between the two countries. Performing and practicing Kata requires the complete immersion into body, mind and spirit - as all three have to be present in embu or performance, or the essence of what kata is all about, is lost. It is the combination of a range of body movements in a variety of different directions, made up of individual techniques that become progressively more flowing, appearing effortless to the untrained eye. They include simple hand and arm movements at first until balance is achieved based upon the use of correct stances. Being in the correct stance at every moment of any kata is THE principal requirement of balance and movement from one stance to the other. Without this element in place at every turn, the very foundation of each form is absent. And by stance is meant to be not only the height and length of each one that is done - which is critical - but the relationship of one foot to the other and the angles they are placed in to achive stability in the landing and lightness of touch and bounce in preparation for the next move. A good kata practitioner will eliminate all uneccessary footwork as a basic requisite for fluidity and the smooth flow of movement. A relaxed and not stiff upright posture is critical to this flow. Eyes level - chin tucked in just enough - head balancd on the torso - shoulders level at all times - chest slightly raised - lower back hollow - allowing movment reminiscent of a matador. At an appropriate point - once balance has been achieved on two feet - kicking techniques are incorporated and take time to master in the flow of a kata as balancing moves onto one leg. The key skill here being how to return the foot to the floor and keeping the flow of the kata alive. And then the kata comes ito its own as a "dance" (the term in this context is of Chinese origin), made up of a designated number of moves, which have been handed down over time. Kime is a commonly used Japanese martial arts term, meaning "power" and/or "focus," describing the instantaneous tensing at the correct moment during a technique, where a momentary stillness is observed. It is the timing of moments like this that "make" any Kata. It is here where power and control merge and if you lose the latter, the kata disintegrates into a shambles as too much power on poor stances distorts the shape of each and every movement. It is the biggest mistake that Karateka in general make when performing kata - for in the Embu or performance, the expression of power must be contained so as to maximise the aeshthetic appeal of the Kata. The combination of this seemingly effortless flow of movement along with perfect timing and pause, creates a series of sequences which tell the "story" to be found in each kata, interspersed with moments of immense power. It can only be described as breathtakingly awesome to behold and beautiful to watch, as this explosive form of ballet appeals aesthetically as the Art of Karate Kata. Practitioners of karate kata read the various sequences and turn them into practice drills called Bunkai - the practical application of various techniques with a partner or partners - which naturally leads on to the various forms of Kumite - or sparring. But first there is the Art of the Kata to master. David Passmore Kyoshi 2008

Taking care of ourselves, our families, our friends and our communities has never been more important in our lives, as we struggle with the everyday reality of what is happening around us, to us and to many whom we know. "Being deeply loved by someone gives you strength, while loving someone deeply gives you courage." Lao Tzu We wish you whatever you wish for yourselves in the New Year of 2024 and we hope we can inspire you to keep head, heart and soul together for the benefit of those around you. "Our greatest glory is not in never falling, but in rising every time we fall". Confucius

1960 - 2021 LOCKDOWN FUNNIES AND THE WINNER IS THE RUNNERS-UP WERE KEITH MOLYNEUX DIX FROM SA TOBY MELLOWS AND CONGRATULATIONS TO ALL THOSE WHO TOOK PART - GREAT FUN ALL ROUND! Strong in hand, kind in heart © David Passmore 2021 www.budokanworld.com Website created and built by David & Katy Passmore All rights reserved in all media HOME About New Page PHILOSOPHY OF BUDO New Page THE BUDO CHARTER BUSHIDO-BUDO DOSHU - RICHARD SALMON TTHE ART OF KARATE KATA KARATE GENEALOGY STORY OF BUDOKAN ARCHIVE ZEN DESCRIPTION DOWN MEMORY LANE TAMURA NOBUYOSHI ARCHIVE 10 DAN KARATE KATA WORKSHOPS 2022 New Page New Page General ABOUT ACCREDITATION CERTIFICATION MEMBERSHIP INFO New Page New Page New Page New Page MEMORIAM General IAN CARD LINEAGE BLACK BELT REGISTER DOJO AIKIDO PRETORIA BUDOKAN HOLLAND BUDOKAN LYMINGTON General BUDOKAN SOUTHAMPTON BUDOKAN LEOMINSTER BUDOKAN RANDBURG BUDOKAN ARUNDEL KARATE - JEFFREYS BAY BUDO KARATE SA New Page KODOKWAN ZAMBIA KYUSHINDO BUDOKAN NZ LARNE NI RIO GRANDE DO SUL SEISHIN SHINSEI RESEARCH LIBRARY Search Results

MEMORIAM Here we will hold a listing of Dan Grades, Teachers, Dojo Leaders and Students who have passed away that we are aware of. If we hold any biographical data in text, pictures, audio or video then the relevant persons name will be underlined and by clicking on that name, you will be taken to a special page dedicated to that person and his or her biographical history. Please send us a picture and any relevant information we can verify against anyone listed on this page and we will post it up - forever. We also have many individuals to remember for their unstinting contribution to Japanese Budo that they made, often with great personal sacrifice during their lives. This page will honour them too, for whom all of us connected with Budokan, shall be forever grateful. We shall always remember them. DAVID PASSMORE RAY RYAN WHITEY POLLETT WILLIE RIDDEX DUNLOP PAUL VIC SYKES JON WYATT LEO LIPINSKI FRANK VAN RENSBURG BOB SIMMS DOUGGIE KNOX SANDI GROOM CLIFF LAWRIE-ROSS MIKE BOND CAROL LEVY HERBIE EDWARDS HENNIE VAN DER MERWE NEIL CRAFFORD AMADEO NUNES HAROLD LIND JEAN RESCH JULIE TULLIS ANDREW BROWN BOB ALLAN TREVOR HUGHES IAN CARD BRIAN VAN DER MERWE JOHAN COETZEE ANDRE THERON "We all get told stories by our parents as we grow up. The strongest memories I have of stories told by Sandi, my Mum are of Budokan. A child of the 50's with a rebellious streak I know she was difficult for her parents to handle as a young woman, running away more than once - and running with a colourful crowd. When Budokan came into her life, the discipline and the people meant more to her than anything she had felt before. Sadly we lost our Mum too young. I wish she had kept with the practice and the people - but it was not to be. A spiritual person, she connected with the practice, the teacher (Dave Passmore) and fellow student (Dave Wills), from my memory this was perhaps the happiest period of her life. A great mum to my three sisters and me, a character with strong opinions, we miss her greatly. If she were alive now she would be so proud to be on this list amongst the other yudansha whom she loved so much. " My own recollections follow; Sandi was bold, headstrong, true to her convictions, and very forthright. Starting her karate career in her late teens at the original 1972 Northolt dojo, with Sensei Passmore, then Nidan, she rapidly showed a talent for martial arts. She can truly be considered a founder of the Northolt dojo. She had excellent technique and became the inspiration for many more ladies and girls to join the dojo, and the subsequent Harrow dojo, in those early days. She also worked with Sensei to develop "feminine" versions of the basic kata, though this experiment eventually stopped. Typically, Sandi herself preferred the traditional forms! She was graded to Shodan. Sandi moved to Cornwall when her first child, Lee, was born and eventually settled in Devon. She became an accomplished gardener. She was a diehard supporter of animal rights and humane animal husbandry. She was a staunch and loyal supporter to those she identified as friends, and of course, her family. She brought up her four children mostly on her own, all of whom, unsurprisingly, given her own character, became strong, independent, and successful individuals in their own spheres. She died unfortunately young, leaving her son, three beautiful daughters, and three boisterous grandsons. VIC SYKES It is with great sorrow that we bring you news of the passing of Vic Sykes on the morning of Sunday 14 August 2016- after complications had arisen following a triple heart bypass operation in Durban South Africa. A well known and much revered member of Budokan SA, Vic became a highly skilled Karate practitioner and a great teacher. He is left by his lovely wife Moira and their son Clinton. Vic Sykes - far right - attending one of the many Budokan events in sunny Durban. His wife Moira is facing away from the camera in the foreground. On the far right - sitting down is Pam - the wife of the late Ray Ryan - one of the Co-Founders of Budokan SA. In the centre of the pic at the back is Derrick Wridgway, whom Budokan UK students may recall visiting us at one of our workshops with his lovely wife Sylvia 5 years ago. Other people Sensei Passmore recognises are Mike Bond seated in the middle and Alan Haig - standing in between Derrick and Vic at the back. KANETSUKA SENSEI passed away on 8 March 2019 OKIMITSU FUJII passed away on 10 April 2017 It is with great sadness that we hear of the passing of Fujii Sensei - a much loved and highly respected teacher of Japanese Budo - with just a slight penchant for Kendo. Many Budokan students would have fondly rembered Fujii Sensei at the Traditional Japanese Budo events that were held in the magnificent Dome at the University of Derby Buxton, where this picture of him was taken in 2014. VICTOR HARRIS We are saddened to hear of the passing of Victor Harris who is famous for translating Go Rin No Sho by Miyamoto Musashi - A Book of Five Rings - a master class of strategy that should be in all Japanese Budo students bookshelves. The philosophy behind it is influenced by Zen, Shinto and Confucianism, and came to be used by many corporations around the world, especially in Japan. The cover below shows an 1848 print of a picture by Kuniyoshi, showing Miyamoto Musashi practising fencing with two sticks, which became the hallmark of his technique and sword style. RIP LEN BLUNT It is with great sadness, that we have to post the news that Len Blunt, a former student of Budokan and beloved Father of one of our Dan Grades, Alex Blunt, passed away in Oakhaven Hospice in Lymington, after a pretty long battle with prostrate cancer. Len was a gentle soul and was much loved by all who knew him and had the pleasure of spending some time with him. RIP

LYMINGTON LYMINGTON HEALTH & LEISURE NORTH STREET LYMINGTON SO41 8ZG WEDNESDAYS AND FRIDAYS AT 7.30 PM BEGINNERS AND VISITORS WELCOME Classes are held in a vibrant atmosphere where students benefit from some of the highest quality tuition available in the UK today. Disciplines BUDOKAN KARATE - SHUKUKAIRYU BUDOKAN AIKIDO - TRADITIONAL BUDOKAN IAIDO - MUSOSHINDENRYU ZEN - SOTO Technical Director DAVID PASSMORE 7 DAN KYOSHI Chief Instructor MIKE CLAPHAM 5 DAN SHIHAN Dojo Leaders TOBY MELLOWS 4 DAN SHIDOIN STEVE HEAD 3 DAN SHIDOIN PAUL FLOYD 3 DAN SHIDOIN BLACK BELT REGISTER STORY OF BUDOKAN BY DOJO MEMBERSHIP INFORMATION GRADINGS CLOTHING AND EQUIPMENT TAKE A LOOK AT SOME OF THESE VIDEO TO GET A GOOD SNAPSHOT OF WHAT BUDOKAN TEACHES AND PRACTICES IN KARATE AIKIDO IAIDO AND THE PRACTICE OF ZEN. MIKE CLAPHAM I started my training in karate in 1973 aged sixteen. The Dojo was in the basement of a hotel that overlooked the Southampton water. The style was Kyushindo which is a philosophy developed by budo master Kenshiro Abbe. My teacher was a gentleman by the name of Ray Wood senior coach for the Southampton area. After four years l was graded to black belt by Kyushindo ‘a chief instructor George Mayo. Unlike most systems Kyushindo graded you first to black belt and then shodan nidan and so on. A couple of years after receiving my black belt I was graded to Shodan. In 1982 whilst working at Fawley Power Station l opened a dojo which was well attended by some of my colleagues and their friends and family members. In 1983 l was graded to Nidan. During the next nine years l also opened a dojo in a local sports centre. In 1992 l was made redundant and became a driving instructor, due to the unsociable working hours it forced a break in my training. In 2004 l was introduced by a good freind to Kyoshi David Passmore who had recently opened a dojo at a hotel in Brockenhurst in the New Forest teaching Budokan. Due to my prolonged absence from training l was happy to don a white belt and start my new martial art journey from scratch, as not only was l re visiting Karate but Sensei was also teaching Aikido and laido, and in a separate class we started the practice of Zazen (seated meditation) which is the cement that binds our martial arts together. As the class at Brockenhurst started to expand Sensei moved to a larger premises at the Lymington sports centre. It was here that he awarded me my Shodan in 2008. Between 2011 and 2014 l attended four Open Traditional Japanese Budo workshops. Three at the university of Derby Buxton and one at Ardingly West Sussex. In 2017 as a third dan l was awarded the title of Shidoin. In December 2020 l was promoted to Godan and awarded the title of Shihan. I am currently the chief instructor of the Lymington Dojo. Darren Waghorne with Irimi Nage TRAINING VIDEOS OCTOBER 2022 Toby and Paull training in Ananko Toby training in Pinan Godan. Anyone spot the deliberate error? OUR LINEAGE Mike showing Pinan Sandan Group Pinan Sandan Mike training in Seisan Paul training in Pinan Sandan 6 RULES FOR OIZUKI CHUDAN FROM SHIZEN DACHI HEIKO Mike Clapham 5 Dan Karate The Stance - Dachi Stand with you feet together. Keeping heels together open both feet out to 45º Move both heels out square. Open both feet out again to 45º This is the Shizen Dachi Heiko stance. Starting from the waist down. First slightly splay the knees to put tension in the upper and lower leg muscles and to push the outer edges of your feet - the sokuto - into the floor using your ankles and also grip the floor with your toes. This gives your punch a strong base to support it. A strong punch without a good base will be ineffective. The Fist - Seiken You begin to do this by curling your fingers into your palm. Start with your little finger first and then finally by wrapping your thumb across the index and middle fingers tightly because when you strike you want to be able hit with the first two knuckles of these fingers. It is the little finger and the thumb that construct an ideal rock like fist that does not collapse upon impact. (If your wrist is bent slightly upward or downward this will result in a weak punch and on contact, possible damage to your wrist) The Posture - Shisei Stand upright with your shoulders relaxed, bring your arms into the ready position at your side so the fists are facing palms up and level with your solar plexus and your arms are tight to the side of your body. To prepare yourself extend your left arm out straight in front of you as if you've just punched. Your palm should be facing downward horizontally aligned with your solar plexus and vertically with the midline of your body - your spine. The Punch - Zuki This is the form that you want to replicate with every punch you make. In this position your first punch will be using the right arm positioned against your ribs in line with the solar plexus. Sightly flick your right hip in an anti-clockwise direction which is the trigger that initiates the punch. Immediately the hips move the punch follows extending your right arm in relaxed reflex action towards the outstretched left fist. The palm remains facing upward for most of its projection. As the punch is in its last 12 to 15cms you start to rotate it through 180 degrees to replace your left first which you now need to be pulling back very quickly so that both fists come to a stop at exactly the same time. The fast pulling back of the left first gives added impetus and power to the punching right fist. Breathing - Kokyu Correct breathing is vital to a strong attack and to its intention. Take a short breath into your lower abdomen before the punch and then expel the air so that your out breath and punch both stop at the same time. In the final second as your punch hits its target there should be tension from your toes up followed by immediate relaxation of the muscles whilst keeping the form of the movement. Keep your mind focussed here and get ready for the next punch. Common mistakes to be avoided: Make sure you don't rotate your fist too early. Make sure that the punch moves in a straight line from its start position to its finish position. This is done by making sure that as the arm is moving through its direction of travel it stays in contact and is not allowed to float away from your body distorting its aim.

THE ZEN HUT 5 MINERAAL STREET JUKSKEI PARK RANDBURG GAUTENG Disciplines KARATE KENJUTSU KOBUDO MEDITATION AND PHILOSOPHY Chief Instructor RAY STRODL 1960 - 2022 Trained at the Budokan Honbo dojo in Durban from early 1978 under Shihan Ray Ryan and achieved Shodan in 1979. Became part of the Budokan teaching team and ran classes at Pietermaritzburg, Montclair and Durban North Dojos for Shihan, before being settled at the Bluff Budokan dojo which he ran with Carol Strodl. Ray participated in Budokan and all style championships over the years, and was part of the Natal all styles team for 5 years, and became the SA Budo Ryu Grand championship in 1986. After this his focus was teaching, refereeing and administration of Karate as assistant to and then secretary for all-style associations and the Budo Ryu Style. Ray always tried to participate in all aspects of Karate but his focus and love was for Kata and weapons particularly Sai, Bo and eventually Kenjutsu. Ray was graded to Sandan at the last Blackbelt grading that Shihan Ray Ryan held in Durban on 11 November 1989. He was very involved with the administration for the Natal all-styles Karate association but after a long period involved in this aspect of sport karate prefers to focus on traditional Budo rather that sport karate, which he believes has ruined many styles as they began to focus on winning competitions rather than effective combat techniques. Ray has been a practicing Buddhist who studies and writes on philosophy, ethics and providing effective financial advice in a high-tech financial services environment. Ethics is a core area of study, his writing and teaching in the financial services industry. Ray has lived in Johannesburg since 1998, where he has run an Education and Training company which has focussed on developing financial advisers and planners since 2000. During the last few years he has been focusing on development of online learning and education. During this time in Gauteng he has trained in Tai Chi, Jeet Kun Do, Kobudo and more recently Kenjustu at the Tombukai BuJutsu dojo in Pretoria where he is focusing on Mugai Ryu. His training was interrupted by a serious illness and he is now focussed regaining strength and suppleness to be able to participate in Karate and Kenjustu for the foreseeable future

1960 - 2023 BUSHIDO & BUDO THE WAY OF THE WARRIOR Bushidō - (Japanese: “Way of the Warrior”) the code of conduct of the Samurai, or Bushi (warrior), class of premodern Japan THE MARTIAL WAY Budo – (Japanese: “Bu – Martial Do – the way. Martial way”) Although the name Bushidō was not used until the 16th century, the idea of the code developed during the Kamakura period (1192–1333), as did the practice of seppuku (ritual disembowelment). Since the days of the Kamakura shogunate (1185 – 1333), the "Way of the Warrior" has been an integral part of Japanese culture. The medieval Japanese military class was attracted to Zen Buddhism, because of the discipline required in its daily practice and its notion of non- attachment, which served each individual well on a practical level as they could achieve an enlightened state which eliminated suffering – the central tenet of all Buddhism. Zen monks occupied positions of political influence in both Kyoto, where the Emperor and the ruling family reigned supreme and in Kamakura, the new seat of the Shogunate, especially when Yoritomo took the title of Seii Taishogun in 1192. Eisai, was a Tendai priest who studied extensively in China and returned to Japan in 1192. He was frowned upon by the Tendai establishment and moved to Kamakura, where he won the support of the newly established Shogunate and set up temples there and in Kyoto. Eisai was generally regarded as being responsible for introducing Zen to Japan and was both politically and artistically influential. The Soto sect of Zen Buddhism was founded by Dogen Zenji with the building of the Eihei Temple in what is now the Fukui Prefecture in 1243. Dogen lost his parents at an early age and was influenced by the impermanence of things. He began to teach Zazen and its central tenet of Shikan Taza or seated meditation as the most effective road to Satori, which can mean personal enlightenment or self-realization. At that time the Minamoto family established Japan’s first military government (bakufu), headed by a hereditary leader called the Shogun. However, the supreme obligation or duty of the samurai was to his Lord, even if this might cause suffering to his parents. The extent to which duty superseded all else is perhaps best exemplified in the story of the 47 rōnin from the early 18th century. These Samurai, who had become masterless (Rōnin) after their Lord had been treacherously murdered, avenged their Lord’s death against the express instructions of the Shogun and afterward were all ordered to commit seppuku. During the Muromachi period (1336–1573) the “way of the warrior” - the Samurai Code of Conduct began to become more refined by adopting selected daily activities, alongside martial training, such as Zen (meaning meditation), ikebana, the tea ceremony, poetry such as the death poem (written by Samurai before suicidal missions or battles) and literature. The sayings of Sengoku-period retainers and warlords such as Katō Kiyomasa (1562–1611) and Nabeshima Naoshige were generally recorded or passed down to posterity around the turn of the 16th century when Japan had entered a period of relative peace. In a handbook addressed to "all Samurai, regardless of rank", Katō states "If a man does not investigate into the matter of Bushidō daily, it will be difficult for him to die a brave and manly death. Thus, it is essential to engrave this business of the warrior into one's mind well”. During the Edo (Tokugawa) period (1603–1867) Bushidō thought was infused with Confucian ethics and made into a comprehensive system that stressed obligation or duty. The Samurai was equated with the Confucian “perfect gentleman” and was taught that his essential function was to exemplify virtue to the lower classes. Obedience to authority was stressed, but duty (“Giri”) came first even if it entailed violation of law. In the mid-19th century, however, the precepts of Bushidō were made the basis of ethical training for the whole of society, with the Emperor replacing the feudal Lord, or Daimyo, as the focus of loyalty and sacrifice. The precise content of the Bushidō code varied historically as the Samurai class came under the influence of Zen Buddhist and Confucian thought, but it’s one unchanging ideal was martial spirit, including athletic and military skills as well as fearlessness toward the enemy in battle. Frugal living, kindness, honesty, and personal honour were also highly regarded, as was filial piety, respect for one's parents, elders, and ancestors. As such it contributed to the rise of Japanese nationalism following the Meiji Restoration (1868) and to the strengthening of civilian morale during the Sino-Japanese War (1937–45) and World War II. Instruction in the code was officially abandoned with Japan’s defeat in 1945. Elements of the code remain, however, in the practice of Japanese martial arts and in the sport of sumo wrestling. Bushido is often referred to as the soul of old Japan and the spirit of the new. Then consider if you would, the similarity between Bushido and Budo. Budo – (Japanese: “Bu – Martial - Do – the way - Martial Way”) As a lifestyle, Budo is known as the The Martial Way Budo philosophy has been developed over time (approximately 400 years) from the teachings of Japanese Bushido. The two concepts, Bushido and Budo, are fundamental to the study of the Japanese martial arts. In essence Bushido is the code of conduct which we, as martial arts practitioners, subscribe to whilst we learn the martial way. In my view it is impossible to practise the one without the other. Miyamoto Musashi said, “The way is in training”. When I started karate at the end of each class, we used to recite the maxims which we were expected to apply both in the in the dojo and in our everyday lives. These were Etiquette, Effort, Respect and Self Control. The study of martial arts requires both the physical aspect and the mental aspect. The training of the body and the training of the mind. To achieve mastery of a single martial art requires a lifetime of dedication and there is no avoiding the physical aspect of the training. We often say, “There is no gain without pain”. At Budokan we expect students to train both within the dojo as well as when in private at home or elsewhere. Progressive skills development is necessary for the attainment of mastery of a martial art and that is why we assess the progress a student makes progressively throughout every year. Students are taught the basics which they are expected to master before they move on to more complex techniques. …. Returning then to the maxims we recited after every class and how they apply to the study of Budo. These require each and every student to observe Dojo etiquette. For example, we always remove our shoes when entering the Dojo. We used to prepare the dojo by washing down the floors at the beginning and end of every class. We bow to each other and to the instructors. We say “please teach me” at the beginning and “thank you” to the instructor at the end of each session. We also meditate for a short time at the beginning and end of each class. The question is why is this necessary? This is an outward manifestation of an inner desire to remind ourselves, and show others outside the martial arts, that we have respect for one and another, the instructors, the dojo, ourselves, and others. One cannot avoid the physical aspect of martial arts training. You have to get on the dojo floor and sweat to achieve progress and it is essential for a student to give the maximum effort on each occasion he practises his skills. This effort is what makes martial arts training worthwhile. The benefits are, I would say self-evident. Exercise is good for one’s health, it helps to rid oneself of negative thoughts and the release of endorphins makes one mentally strong. There is no denying that the practise of martial arts can lead to situations when tempers might flare up. Practitioners must develop self-control and those who don’t soon fall below the estimation of their peers and expectations of their Teachers and Instructors. At the same time as engaging in the physical side of training students learn how to control their breathing, how to focus on what they are doing and what the opponent is doing. We are taught to analyse each technique and what its application might be. They must also engage the mind. We meditate to find a balance within our everyday lives and to rid ourselves of negative thoughts and emotions. It teaches us to focus. Having regard for the aforesaid I must return to the concept of “Giri”! Giri - pronounced ‘Gidi (as most Japanese people cannot roll the “R”’ ) is a Japanese concept roughly corresponding to duty, obligation, justice, and correct action. There is no equivalent word in the English language. It should be a very important rule for practitioners of the martial arts. This concept has attracted a great deal of interest from the rest of the world. What concerns me is how many students of Budo understand the concept of Giri and how few regulate their actions and thoughts in keeping with the concept. Giri transcends limits of right action, duty, courtesy, obligation, and right thinking - which emanate from the Eightfold Path of Buddhist philosophy. Early students of Bushido studied the ‘kashoki’. These are five scrolls with wide-ranging content, including Samurai knowledge with moral precepts, the knowledge of ordinary people, the teachings of Confucian Buddhism, Mencius and others. It contains moral precepts which explain theoretical aspects of Bushido. The fifth scroll has an important definition that was made by a Samurai and is therefore the first known description of morality in Bushido. The Bushido spirit was the Kashoki. The fifth scroll provides that “The essence of Bushidō is: do not lie, do not be insincere, do not be servile, do not be superficial, do not be greedy, do not be rude, do not be boastful, do not be arrogant, do not slander, do not be unfaithful, be on good terms with comrades, do not be overly concerned with events, show concern for one another, be compassionate, with a strong sense of duty”. Being a good Samurai takes more than merely a willingness to lay down one's life." In my view this is Giri. Over the last 100 years modern societies have encouraged their citizens to adopt a social and political doctrine of individualism and wealth creation and I believe we have lost sight of Giri. And with reference to the Kanji of Bushido and Budo (above) it may be the latter that will fade away, whilst we will continue to revere the former. Peter Bush October 2021

BUXTON 2011 University of Derby Buxton 2011. The scene of the First Open Traditional Japanese Budo 2 day Seminars in the UK for decades with Budokan heavily involved in the creation, organisation and management of the event with great back up from the University and from a legion of like minded people passionate about Budo,like the very well known David Ansell who helped initiate the event and played an important part in its success.

BUDOKAN DOJO LARNE RUGBY CLUB 41 Main Road GLYNN BT40 3HF SENSEI IAN BATES 3 RD DAN sandan@ian-bates.ws Mobile 07864328873 Tuesdays from 7 pm Karate Aikido and Weapons BEGINNERS WELCOME I have always tried to follow the Budo method of training and teaching following on from my early days with Budokan UK in the Dojo based in Tunbridge Wells and of course Honbu in Crowborough as was, where I remember one night the temperature dropped to – 6 and I had to be lifted off the saddle of my Motorbike and held up for a few minutes until the blood returned to my legs, Sensei Passmore commented that I must be completely mad, But! Not so, as a some weeks later I was graded to Sankyu at Northhold Dojo, Commitment was in my mind then and still is!. I first saw Karate way back in the spring of 1973 on Tonbridge Castle lawn, I was excited by what I saw that day and wanted to find out more, I was 26 at that time, having been invited to try a couple of classes, I wanted to join in the ongoing journey!. Classes at that time where held all over the place and at that time we where training in what was known as “ The Satelite Club “ also in Tunbridge Wells.. This was to be a wonderful time as the floor in those days was made from Terrazo a sort of plastic; after some 30 minutes of training with gyaku-zuki and other warm up methods, the floor became a skating rink and we would skid to a stop at the other end of the hall. We had many moves of training location and finally landed at High Rocks for quite some time where I was to be awarded my first 3 grades over a period of 1 year, I tried never to miss a class. Northolt Dojo during a seminar was to be my first major grading test with many others of the day, where I was awarded my coveted Green Belt, I thought I had arrived!, Not so there was still plenty to fill the gap in my mind, this time of training was very important to me. I did have a time of no training due to work commitments and family commitments, this meant I could not attend training for quite some time. Some years later, I got back into training with Sensei Andy Fox ( 5th Dan ) in his Dojo at Borough Green village hall where I trained for 8 years, Then the biggest slap I have ever had came visiting, During one of my own classes located in Eynsford village where I was living at that time, I suffered a serious brain bleed an Aneurism that almost killed me, fortunately for me one of my students was a nurse, she thought I had, had a heart attack and called for the ambulance, Paramedics assessed me and told them what they thought had had happened, I did not feel anything and I have to this day got a whole in my mind of around 3 weeks, Taken to Dartford hospital and assessed before being taken to Kings Hospital where I was operated on to mend the damage, I remained in Kings for a week before being taken back to Dartford hospital for a further 3 weeks for close observation and monitoring as well as help to retain balance and co-ordination again. My wife Lorna and my old mate and my own Sensei during this time Andy Fox both spent a lot of time looking after me one way and another. It took 6 months for me to get back to the man I used to be and I put my life down to all the training I had done, my level of fitness and my Spirit of Aikido that was built into my mind over the past 30+ years, never give up and fight back with a passion for your life. All this took place during the month of October in the year of 2007, Carrying on until around April of the following year, when I felt as good as new again. I have included this event as it made me more aware of how fragile life can be. Never take the next day for granted, it’s not promised!, indeed never take the next martial arts class for granted, You may not make it. Most importantly of all are the seminars that are always on offer from your Sensei’s and other Senior Club and Association members, I have taken many memories from these over the past years, Because as your age increases there are more memories of the past, than there are days in front of you. Don’t cut yourself off from these special classes and events, You will never see that day again. I also trained with Sensei David Waters now the founder of Ryusui-Ryu Martial Arts Schools, where I remained for the next 20 years until I retired from full time work at 65 in November 2010 and moved to Larne in County Antrim where I now live with my wife Lorna, her home town. I always try to get back to England during these special events to meet up with old friends and to train with many of them again, usually followed by a time of an evenings social meal and drinks a plenty!. Come and visit me for a great time in the land of beauty, we have some nice B & B places or if you choose to take up the offer of a more Up-Market Curran Court Hotel, All will give you a great “Norn Ireland” welcome, Come and enjoy a great holiday as well as the offer of coming to join me on the mat for a couple of hours during one of my classes, If I am still able to run them!. During the following spring of 2011March and April I launched my own school here in Larne from scratch in our local sports centre, using some posters I had made up and standing and inviting potential new students to join me in the Dojo with a 4 weeks introductory course, It worked out quite well for me as “ a blow in!” as we are called! An Englishman in Ulster!, The culture here is very different from what I had been used to for the past 35+ years and it took me quite sometime to get a grip of both the mind set of the Northern Ireland people and of course understanding the way they spoke, I do not have any problems now thank goodness!. I have now been here for 10 years and hope to be able to teach my arts for a few years yet and now at 75 years young and slightly over weight, I may just be able to fulfil that dream. I also hope to be able to take the planned trip home to Kent during the spring of 2021 to meet up with “Old friends & teachers for a social meal and of course a bevvie or 3 and to train with those special people I first met back in the day!, 1973 and of course to make new friends with new students I have yet to meet,”. I hope this short bio helps cement links to many of my former fellow students what ever grade you hold, as well as to encourage new and younger students to stay focused in the most exciting journey you could hope to imagine, Stay the course and build great life long friends and great memories you will be glad you did. I hope to meet some of you before I retire to the great Dojo beyond the clouds.