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BUDOKAN MISOGI 7 DECEMBER 2024 LYMINGTON DOJO A Misogi is an ancient Japanese Shinto purification ritual that involves washing the body and is also a method for personal development and transformation. A traditional Misogi usually involved standing under a freezing waterfall to cleanse the mind and the body of the participants. Thankfully, the modern approach involves challenging oneself to do something difficult even if you are not guaranteed to succeed. The Misogi challenge is about doing something tough once a year that shapes how you will live the rest of your 364 days. On 7th December 2024 the members of Budokan UK came together to prepare for the coming year and to celebrate the life of Saisho Passmore by engaging in a Misogi which Sensei Mike designed together with the Shihonkai. Significantly the date was chosen by Saisho who had intended that this would be the Budokan year end event. At the opening of the Misogi Sensei Mike welcomed the attendees and family members and reminded us that although this was a somber occasion it was also a joyous one which provided the members the opportunity to salute Saisho’s achievements and to mourn his passing. What was most impressive was that the event was attended by twenty practitioners as well as other passed members who did not participate in the misogi. All who attended could only be impressed with the manner with which Mike attended to his management of the misogi. In preparation for the Misogi, Kyoshi Darren prepared the Kamidana which was much admired by all those who attended. Its central position on the dojo floor made this the focus of us all. To spiritually cleanse the dojo Kyoshi Darren performed two Iaido kata which Saisho would have been proud of. Sensei Mike reminded us that Saisho began each year with the test of a thousand cuts so naturally, after the cleansing kata, the Misogi started with that test. Doing a thousand cuts with a bokken is no mean feat and certainly challenged us all. Some of the senior citizens had to take a break during the exercise. Just watching the practitioners, you could see the concentration etched on their faces. One need only look at Pat Miller to see what I mean. At the end of the exercise, it was traditional to have the exhausted members hold their bokken on their arms stretched out. Saisho also used to bring along a very heavy bokken and, as was his practice, he would choose someone to hold the heavy bokken out in front of them (usually Keith) so it was great to see that sensei Mike keeping up that tradition and bestowing that honor on Keith again this time around. It was great to have Joe Braconi with us, he having travelled all the way from Edinburgh to attend. We look forward to having him regularly attend down in Lymington and he has promised to do so again later this year. After the thousand cuts Sensei Mike, Toby Mellows, Paul Floyd and James Bryden demonstrated one of Saisho’s kata for the members after which Sensei Mike demonstrate a Bunkai from the kata which the members practiced. Sensei Mike and Shihan Toby went on to demonstrate 3 Bunkai from the Kata, which they went on to work with all the students. We continued with a 20 minute Zazen which was very important to Saisho. (to come a couple of articles that This was published within the 4th edition of Hanshi Hamada's book Quintessence of Japanese Classical Martial Arts). It was with great pleasure that James Bryden was award his Nidan Certificate. James was the last student to be assessed by Saisho who determined that he qualified to be elevated to his second Dan grade. At the end of the misogi the Kamidana was dismantled and Saisho’s katana was handed back to Katy Passmore for safe keeping. She is a member of Budokan and serves on the Shihankai and will keep the katana. Part of the misogi ritual is the requirement that the dojo is again cleansed, and Kyoshi Darren very kindly performed the closing Iaido cleansing kata for us. This was a very moving ceremony and is followed by the spreading of salt around the dojo. The evening was concluded by a curry a great gathering at The Chequer’s in Lymington. Many story’s and laughter were shared by old and new members of the Budokan family. There are a few students that for unforeseen reasons were unable to attend the event but were keen to be there in spirit, Peter Robinson, Hilary Crundwell and Nicky Charnick. Let’s hope we will see you all in June! We will be holding A Flag Ceremony on June 21st 2025 – it is the flag that will be given to Saisho’s family from the DNBK. For more information email: Info@budokanworld.com Sensei Mike Clapham Kyoshi Darren Waghorne Pat Miller Keith Molyneux Kyoshi Peter Bush and Sensei Joe Bracone Richard Cozens, Steve Hill, James Bryden, Nick Singleton Sensei Mike and James Bryden Kyoshi Darren We were also very privileged to have several of the original members of Budokan in attendance. Pat Miller, and Roy Estabrook and Paul Smith. We were very privileged to have Saisho’s children in attendance. Duncan, Caroline and Tilly Passmore BUDOKAN MISOGI 7 DECEMBER 2024 LYMINGTON DOJO A Misogi is an ancient Japanese Shinto purification ritual that involves washing the body and is also a method for personal development and transformation. A traditional Misogi usually involved standing under a freezing waterfall to cleanse the mind and the body of the participants. Thankfully, the modern approach involves challenging oneself to do something difficult even if you are not guaranteed to succeed. The Misogi challenge is about doing something tough once a year that shapes how you will live the rest of your 364 days. On 7th December 2024 the members of Budokan UK came together to prepare for the coming year and to celebrate the life of Saisho Passmore by engaging in a Misogi which Sensei Mike designed together with the Shihonkai. Significantly the date was chosen by Saisho who had intended that this would be the Budokan year end event. At the opening of the Misogi Sensei Mike welcomed the attendees and family members and reminded us that although this was a somber occasion it was also a joyous one which provided the members the opportunity to salute Saisho’s achievements and to mourn his passing. What was most impressive was that the event was attended by twenty practitioners as well as other passed members who did not participate in the misogi. All who attended could only be impressed with the manner with which Mike attended to his management of the misogi. In preparation for the Misogi, Kyoshi Darren prepared the Kamidana which was much admired by all those who attended. Its central position on the dojo floor made this the focus of us all. To spiritually cleanse the dojo Kyoshi Darren performed two Iaido kata which Saisho would have been proud of. Sensei Mike reminded us that Saisho began each year with the test of a thousand cuts so naturally, after the cleansing kata, the Misogi started with that test. Doing a thousand cuts with a bokken is no mean feat and certainly challenged us all. Some of the senior citizens had to take a break during the exercise. Just watching the practitioners, you could see the concentration etched on their faces. One need only look at Pat Miller to see what I mean. At the end of the exercise, it was traditional to have the exhausted members hold their bokken on their arms stretched out. Saisho also used to bring along a very heavy bokken and, as was his practice, he would choose someone to hold the heavy bokken out in front of them (usually Keith) so it was great to see that sensei Mike keeping up that tradition and bestowing that honor on Keith again this time around. It was great to have Joe Braconi with us, he having travelled all the way from Edinburgh to attend. We look forward to having him regularly attend down in Lymington and he has promised to do so again later this year. After the thousand cuts Sensei Mike, Toby Mellows, Paul Floyd and James Bryden demonstrated one of Saisho’s kata for the members after which Sensei Mike demonstrate a Bunkai from the kata which the members practiced. Sensei Mike and Shihan Toby went on to demonstrate 3 Bunkai from the Kata, which they went on to work with all the students. We continued with a 20 minute Zazen which was very important to Saisho. (to come a couple of articles that This was published within the 4th edition of Hanshi Hamada's book Quintessence of Japanese Classical Martial Arts). It was with great pleasure that James Bryden was award his Nidan Certificate. James was the last student to be assessed by Saisho who determined that he qualified to be elevated to his second Dan grade. At the end of the misogi the Kamidana was dismantled and Saisho’s katana was handed back to Katy Passmore for safe keeping. She is a member of Budokan and serves on the Shihankai and will keep the katana. Part of the misogi ritual is the requirement that the dojo is again cleansed, and Kyoshi Darren very kindly performed the closing Iaido cleansing kata for us. This was a very moving ceremony and is followed by the spreading of salt around the dojo. The evening was concluded by a curry a great gathering at The Chequer’s in Lymington. Many story’s and laughter were shared by old and new members of the Budokan family. There are a few students that for unforeseen reasons were unable to attend the event but were keen to be there in spirit, Peter Robinson, Hilary Crundwell and Nicky Charnick. Let’s hope we will see you all in June! We will be holding A Flag Ceremony on June 21st 2025 – it is the flag that will be given to Saisho’s family from the DNBK. For more information email: Info@budokanworld.com Sensei Mike Clapham Kyoshi Darren Waghorne Pat Miller Keith Molyneux Kyoshi Peter Bush and Sensei Joe Bracone Richard Cozens, Steve Hill, James Bryden, Nick Singleton Sensei Mike and James Bryden Kyoshi Darren We were also very privileged to have several of the original members of Budokan in attendance. Pat Miller, and Roy Estabrook and Paul Smith. We were very privileged to have Saisho’s children in attendance. Duncan, Caroline and Tilly Passmore

ABOUT WE BELIEVE TRAINING SHOULD ALWAYS TAKE PLACE WITH QUALIFIED INSTRUCTION IN A DOJO. STUDY AND LEARNING NOW ALSO TAKES PLACE ONLINE - 24/7 - LEADING TO MORE TRAINING AT HOME. BOTH WORK BRILLIANTLY TOGETHER. Our organisation is made up of people with a wealth of Japanese Budo experience in various countries over many, many years. We all believe that people involved in traditional Japanese Budo deserve to be given the opportunity to have access to some of the best teachers available across all disciplines in the form of Dojo Leaders who have become part of our Dojo Community and other teacheers who have associated themselves with us. We operate a policy of inclusivity - we wish for your involvement in what we are doing. We respect the autonomy of all Dojo and their Teachers, Instructors and Dojo Leaders. We only serves to associate ourselves and all that we have to offer with those who wish to be associated with us. THE SHIHANKAI All activities within Budokan are managed and operated by its Shihankai. A small group of experienced people tasked with ensuring that the technical, educational and organisational standards set by Budokan in all of its operations and entitlements - see below - continue to be at the forefront of its thinking and planning now and for the future of Budokan. BUDOKAN MEMBER ENTITLEMENTS Username and Password access to the of www.budokanworld.com so that you can browse the entire content of the Budokan Library in words, pictures and video being taught covering each of the current disciplines on display, Karatedo, Aikido and Iaido, including the Practice of Zen. Listing on the Black Belt Register* Dan Grade Rank and Title Accreditation and Certification * If you run a Dojo you are entitled to inclusion in the Dojo pages section on the website, with technical and practical information, events, gradings and news content provided by you about your Dojo and your students. Access to our Online Programmes Practical Selfe Defence for Women Teach Yourself Practical Meditation The use of the Budokan Mon - (optional) Attendance at Traditional Japanese Budo National and International Events, Seminars and Workshops hosted by Budokan that will include Karatedo, Aikido, Iaido, Zen (Meditation), Kendo, Jiu Jutsu and Kodokan Judo and Kobudo. Virtual meetings of Sensei and Dojo Leaders to improve dialogue within Japanese Budo for the benefit of all hosted by Budokan. Our Teaching Methods and our Philosophy. Registration and recognition of Dan Grades and Titles by Dai Nippon Butokukai in Kyoto, Japan upon recommendation by Budokan. (There is a separate charge for this from DNBK) * subject to recommendation and approval. If you have any queries please send them to us at this address - david@budokanworld.com . For more information please click on any of the Headings below: ACCREDITATION CERTIFICATION GENERAL MEMBERSHIP INFORMATION Come and join us. You will be made very welcome

Classes are held in a vibrant atmosphere where students benefit from some of the highest quality tuition available in the UK today. Disciplines KARATE - SHUKUKAI RYU AIKIDO - TRADITIONAL IAADO - MUSO SHINDEN RYU ZAZEN - SHIKANTAZA Technical Director DAVID PASSMORE 7 DAN KYOSHI Chief Instructor Mike Clapham 5 Dan Shihan Dojo Leader STEVE HEAD 3 DAN BLACKFIELDS DOJO 106 HAMPTON LANE BLACKFIELDS SOUTHAMPTON SO45 1WF TUESDAYS AT 7.30PM BEGINNERS AND VISITORS WELCOME OUR LINEAGE MEMBERSHIP INFORMATION BLACK BELT REGISTER STORY OF BUDOKAN BY DOJO GRADINGS CLOTHING AND EQUIPMENT

PRETORIA AIKIKAI, SOUTH AFRICA Training is done in an energetic, friendly, safe and non-competitive atmosphere. Beginners and advanced students train as a close, integrated community and family unit in the same class. The pace varies according to the experience and seniority of each member. Beginners and visitors are always welcome. DISCIPLINE AIKIDO – Traditional INSTRUCTION Paul de Beer (6th Dan) Cell: +27 (0)83 636 1764 E-mail: aikido.pretoria@gmail.com Website: www.AikidoPretoria.co.za VENUE The dojo is situated in a basement on the western side of the Rembrandt hall in the LC De Villiers Sport Centre of the University of Pretoria, South Street extension (East), Hatfield, PRETORIA. GPS Coordinates: S25° 45.198 E28º 14.965 PRACTICE TIMES Mondays: 18:00 to 19:30 Wednesdays: 18:00 to 19:30 Fridays: 18:00 to 19:30 The dojo is closed on public, as well as certain University/School holidays. THE DOJO: The Pretoria Aikikai was established in 1979. It continues to play a central role in the training of instructors and the spreading of Aikido throughout South Africa. Tuks Aikido is situated in Hatfield and serves as the central dojo in Pretoria. It is run by Mr Paul de Beer (6th Dan, Aikikai, Dojo-cho) with the aid of assistant instructors. It has close ties with Aikido groups in Japan, Italy, Guam, Great Britain, Hong Kong, New Zeeland, Australia, Canada, China, Russia and Reunion. Seminars and exchanges take place at regular intervals. "Kindness is the language the blind can see and the deaf can hear" - Mark Twain AIKIDO-A TOOL FOR SENSIBLE LIVING REDISCOVERING AIKIDO

Budokan has a rich and colourful history. and there is a huge mass of information to be sorted in chronological order for inclusion into our Archive section going right the way back to the early 60's. Everybody will be invited to send their archive material to us - correctly notated and dated - so that we can easily insert it into the year that it took place. This material will remain the copyright of the individual that sent it to us. Should they wish their content, or part thereof, to be removed, we will do so immediatley upon receiving their request ARCHIVE

THE ART OF KARATE KATA Aesthetics and Power Kata in Japanese simply means form and their origin can be traced back to the relationship between China and Okinawa, during the early years of trading between the two countries. Performing and practicing Kata requires the complete immersion into body, mind and spirit - as all three have to be present in embu or performance, or the essence of what kata is all about, is lost. It is the combination of a range of body movements in a variety of different directions, made up of individual techniques that become progressively more flowing, appearing effortless to the untrained eye. They include simple hand and arm movements at first until balance is achieved based upon the use of correct stances. Being in the correct stance at every moment of any kata is THE principal requirement of balance and movement from one stance to the other. Without this element in place at every turn, the very foundation of each form is absent. And by stance is meant to be not only the height and length of each one that is done - which is critical - but the relationship of one foot to the other and the angles they are placed in to achive stability in the landing and lightness of touch and bounce in preparation for the next move. A good kata practitioner will eliminate all uneccessary footwork as a basic requisite for fluidity and the smooth flow of movement. A relaxed and not stiff upright posture is critical to this flow. Eyes level - chin tucked in just enough - head balancd on the torso - shoulders level at all times - chest slightly raised - lower back hollow - allowing movment reminiscent of a matador. At an appropriate point - once balance has been achieved on two feet - kicking techniques are incorporated and take time to master in the flow of a kata as balancing moves onto one leg. The key skill here being how to return the foot to the floor and keeping the flow of the kata alive. And then the kata comes ito its own as a "dance" (the term in this context is of Chinese origin), made up of a designated number of moves, which have been handed down over time. Kime is a commonly used Japanese martial arts term, meaning "power" and/or "focus," describing the instantaneous tensing at the correct moment during a technique, where a momentary stillness is observed. It is the timing of moments like this that "make" any Kata. It is here where power and control merge and if you lose the latter, the kata disintegrates into a shambles as too much power on poor stances distorts the shape of each and every movement. It is the biggest mistake that Karateka in general make when performing kata - for in the Embu or performance, the expression of power must be contained so as to maximise the aeshthetic appeal of the Kata. The combination of this seemingly effortless flow of movement along with perfect timing and pause, creates a series of sequences which tell the "story" to be found in each kata, interspersed with moments of immense power. It can only be described as breathtakingly awesome to behold and beautiful to watch, as this explosive form of ballet appeals aesthetically as the Art of Karate Kata. Practitioners of karate kata read the various sequences and turn them into practice drills called Bunkai - the practical application of various techniques with a partner or partners - which naturally leads on to the various forms of Kumite - or sparring. But first there is the Art of the Kata to master. David Passmore Kyoshi 2008

The Philosophy of Budo Budo, the martial ways of Japan, have their origins in the traditions of bushido—the way of the warrior . Budo is a time-honoured form of physical culture comprising of judo, kendo, kyudo, sumo, karatedo, aikido, shorinji kempo, naginata and jukendo. Practitioners study the skills while striving to unify mind , technique and body; develop his or her character; enhance their sense of morality ; and to cultivate a respectful and courteous demeanour. Practised steadfastly, these admirable traits become intrinsic to the character of the practitioner. The Budo arts serve as a path to self-perfection. This elevation of the human spirit will contribute to social prosperity and harmony, and ultimately, benefit the people of the world. Written on 10 October, 2008 by the Japanese Budo Association (Nippon Budo Kyogikai) English translation approved on 1 May, 2009 ©2009 The Japanese Budo Association

1960 - 2023 BUSHIDO & BUDO THE WAY OF THE WARRIOR Bushidō - (Japanese: “Way of the Warrior”) the code of conduct of the Samurai, or Bushi (warrior), class of premodern Japan THE MARTIAL WAY Budo – (Japanese: “Bu – Martial Do – the way. Martial way”) Although the name Bushidō was not used until the 16th century, the idea of the code developed during the Kamakura period (1192–1333), as did the practice of seppuku (ritual disembowelment). Since the days of the Kamakura shogunate (1185 – 1333), the "Way of the Warrior" has been an integral part of Japanese culture. The medieval Japanese military class was attracted to Zen Buddhism, because of the discipline required in its daily practice and its notion of non- attachment, which served each individual well on a practical level as they could achieve an enlightened state which eliminated suffering – the central tenet of all Buddhism. Zen monks occupied positions of political influence in both Kyoto, where the Emperor and the ruling family reigned supreme and in Kamakura, the new seat of the Shogunate, especially when Yoritomo took the title of Seii Taishogun in 1192. Eisai, was a Tendai priest who studied extensively in China and returned to Japan in 1192. He was frowned upon by the Tendai establishment and moved to Kamakura, where he won the support of the newly established Shogunate and set up temples there and in Kyoto. Eisai was generally regarded as being responsible for introducing Zen to Japan and was both politically and artistically influential. The Soto sect of Zen Buddhism was founded by Dogen Zenji with the building of the Eihei Temple in what is now the Fukui Prefecture in 1243. Dogen lost his parents at an early age and was influenced by the impermanence of things. He began to teach Zazen and its central tenet of Shikan Taza or seated meditation as the most effective road to Satori, which can mean personal enlightenment or self-realization. At that time the Minamoto family established Japan’s first military government (bakufu), headed by a hereditary leader called the Shogun. However, the supreme obligation or duty of the samurai was to his Lord, even if this might cause suffering to his parents. The extent to which duty superseded all else is perhaps best exemplified in the story of the 47 rōnin from the early 18th century. These Samurai, who had become masterless (Rōnin) after their Lord had been treacherously murdered, avenged their Lord’s death against the express instructions of the Shogun and afterward were all ordered to commit seppuku. During the Muromachi period (1336–1573) the “way of the warrior” - the Samurai Code of Conduct began to become more refined by adopting selected daily activities, alongside martial training, such as Zen (meaning meditation), ikebana, the tea ceremony, poetry such as the death poem (written by Samurai before suicidal missions or battles) and literature. The sayings of Sengoku-period retainers and warlords such as Katō Kiyomasa (1562–1611) and Nabeshima Naoshige were generally recorded or passed down to posterity around the turn of the 16th century when Japan had entered a period of relative peace. In a handbook addressed to "all Samurai, regardless of rank", Katō states "If a man does not investigate into the matter of Bushidō daily, it will be difficult for him to die a brave and manly death. Thus, it is essential to engrave this business of the warrior into one's mind well”. During the Edo (Tokugawa) period (1603–1867) Bushidō thought was infused with Confucian ethics and made into a comprehensive system that stressed obligation or duty. The Samurai was equated with the Confucian “perfect gentleman” and was taught that his essential function was to exemplify virtue to the lower classes. Obedience to authority was stressed, but duty (“Giri”) came first even if it entailed violation of law. In the mid-19th century, however, the precepts of Bushidō were made the basis of ethical training for the whole of society, with the Emperor replacing the feudal Lord, or Daimyo, as the focus of loyalty and sacrifice. The precise content of the Bushidō code varied historically as the Samurai class came under the influence of Zen Buddhist and Confucian thought, but it’s one unchanging ideal was martial spirit, including athletic and military skills as well as fearlessness toward the enemy in battle. Frugal living, kindness, honesty, and personal honour were also highly regarded, as was filial piety, respect for one's parents, elders, and ancestors. As such it contributed to the rise of Japanese nationalism following the Meiji Restoration (1868) and to the strengthening of civilian morale during the Sino-Japanese War (1937–45) and World War II. Instruction in the code was officially abandoned with Japan’s defeat in 1945. Elements of the code remain, however, in the practice of Japanese martial arts and in the sport of sumo wrestling. Bushido is often referred to as the soul of old Japan and the spirit of the new. Then consider if you would, the similarity between Bushido and Budo. Budo – (Japanese: “Bu – Martial - Do – the way - Martial Way”) As a lifestyle, Budo is known as the The Martial Way Budo philosophy has been developed over time (approximately 400 years) from the teachings of Japanese Bushido. The two concepts, Bushido and Budo, are fundamental to the study of the Japanese martial arts. In essence Bushido is the code of conduct which we, as martial arts practitioners, subscribe to whilst we learn the martial way. In my view it is impossible to practise the one without the other. Miyamoto Musashi said, “The way is in training”. When I started karate at the end of each class, we used to recite the maxims which we were expected to apply both in the in the dojo and in our everyday lives. These were Etiquette, Effort, Respect and Self Control. The study of martial arts requires both the physical aspect and the mental aspect. The training of the body and the training of the mind. To achieve mastery of a single martial art requires a lifetime of dedication and there is no avoiding the physical aspect of the training. We often say, “There is no gain without pain”. At Budokan we expect students to train both within the dojo as well as when in private at home or elsewhere. Progressive skills development is necessary for the attainment of mastery of a martial art and that is why we assess the progress a student makes progressively throughout every year. Students are taught the basics which they are expected to master before they move on to more complex techniques. …. Returning then to the maxims we recited after every class and how they apply to the study of Budo. These require each and every student to observe Dojo etiquette. For example, we always remove our shoes when entering the Dojo. We used to prepare the dojo by washing down the floors at the beginning and end of every class. We bow to each other and to the instructors. We say “please teach me” at the beginning and “thank you” to the instructor at the end of each session. We also meditate for a short time at the beginning and end of each class. The question is why is this necessary? This is an outward manifestation of an inner desire to remind ourselves, and show others outside the martial arts, that we have respect for one and another, the instructors, the dojo, ourselves, and others. One cannot avoid the physical aspect of martial arts training. You have to get on the dojo floor and sweat to achieve progress and it is essential for a student to give the maximum effort on each occasion he practises his skills. This effort is what makes martial arts training worthwhile. The benefits are, I would say self-evident. Exercise is good for one’s health, it helps to rid oneself of negative thoughts and the release of endorphins makes one mentally strong. There is no denying that the practise of martial arts can lead to situations when tempers might flare up. Practitioners must develop self-control and those who don’t soon fall below the estimation of their peers and expectations of their Teachers and Instructors. At the same time as engaging in the physical side of training students learn how to control their breathing, how to focus on what they are doing and what the opponent is doing. We are taught to analyse each technique and what its application might be. They must also engage the mind. We meditate to find a balance within our everyday lives and to rid ourselves of negative thoughts and emotions. It teaches us to focus. Having regard for the aforesaid I must return to the concept of “Giri”! Giri - pronounced ‘Gidi (as most Japanese people cannot roll the “R”’ ) is a Japanese concept roughly corresponding to duty, obligation, justice, and correct action. There is no equivalent word in the English language. It should be a very important rule for practitioners of the martial arts. This concept has attracted a great deal of interest from the rest of the world. What concerns me is how many students of Budo understand the concept of Giri and how few regulate their actions and thoughts in keeping with the concept. Giri transcends limits of right action, duty, courtesy, obligation, and right thinking - which emanate from the Eightfold Path of Buddhist philosophy. Early students of Bushido studied the ‘kashoki’. These are five scrolls with wide-ranging content, including Samurai knowledge with moral precepts, the knowledge of ordinary people, the teachings of Confucian Buddhism, Mencius and others. It contains moral precepts which explain theoretical aspects of Bushido. The fifth scroll has an important definition that was made by a Samurai and is therefore the first known description of morality in Bushido. The Bushido spirit was the Kashoki. The fifth scroll provides that “The essence of Bushidō is: do not lie, do not be insincere, do not be servile, do not be superficial, do not be greedy, do not be rude, do not be boastful, do not be arrogant, do not slander, do not be unfaithful, be on good terms with comrades, do not be overly concerned with events, show concern for one another, be compassionate, with a strong sense of duty”. Being a good Samurai takes more than merely a willingness to lay down one's life." In my view this is Giri. Over the last 100 years modern societies have encouraged their citizens to adopt a social and political doctrine of individualism and wealth creation and I believe we have lost sight of Giri. And with reference to the Kanji of Bushido and Budo (above) it may be the latter that will fade away, whilst we will continue to revere the former. Peter Bush October 2021

JULIE TULLIS Julie Tullis (née Palau) (15 March 1939 – 6/7 August 1986) was a British climber and filmmaker who died while descending from K2 's summit during a storm, along with four other climbers from several expeditions, during the "Black Summer" of 1986. Julie was born to Erica and Francis Palau. Her early life was disrupted by the outbreak of World War II . In 1956, she began climbing near Tunbridge Wells , where she met Terry Tullis. In 1959, they were married and spent the following years running various small businesses. They also continued climbing, in addition to which Julie studied traditional Japanese martial arts, under David Passmore in the Budokan school, Tunbridge Wells. She occasionally practised karate forms in traditional hakama when climbing. Tullis met Austrian climber Kurt Diemberger in 1976, and by 1980 they were working together on lecture tours. In 1981, Diemberger hired Tullis as a technician for an expedition to Nanga Parbat , and their high-altitude filming career began. It would include, in the following years, expeditions to the North ridge of K2 and the unclimbed North-East ridge of Mount Everest . In 1984, Tullis and Diemberger climbed Broad Peak , and after more film work they went on an expedition to climb K2, in 1986, becoming part of the 1986 K2 disaster . Although Tullis and Diemberger finally made the summit on 4 August 1986, making Tullis the first British woman to do so, they were exhausted from spending several days above 8,000 metres; 26,000' (known as the death zone ). On the descent, Tullis slipped and fell; although Diemberger's belay successfully saved them both, it is likely that Tullis suffered internal or head injuries that began to affect her vision and co-ordination.[citation needed ] Arriving at Camp IV they were trapped in their tents by a storm that lasted for several days. All the trapped climbers deteriorated physically and mentally, lacking food, sleep, oxygen and, once the gas for the stoves ran out, the ability to melt snow and produce water. This, in turn, made them vulnerable to pulmonary or cerebral oedema , which in Tullis' condition would have been rapidly fatal. Tullis died on the night of 6/7 August (the accounts of Diemberger and another climber present, Willi Bauer, differ on the date) and was buried on the mountainside. * wikipedia More on her Japanese Budo life to come.

SLIDER TEST FOR HOMEPAGE