1960 - 2023 BUDOKAN KARATE GENEALOGY As part of our plans to provide an historical narrative to each of our disciplines, Sensei Passmore sent over a Karate Genealogy spreadsheet to Renshi Bush, along with a request to see if he could do the research and build a story around the people responsible for creating the original Karate Kata, founded their different Ryu or styles and handed them down over time, so that we could enjoy practising and performing them today. KARATE DO THE WAY OF THE OPEN HAND HISTORY OKINAWA THE BIRTHPLACE OF KARATE Okinawa, Ken Prefecture, Japan in the Pacific Ocean comprises roughly two-thirds of the Ryukyu Islands of Japan. It is the smallest and least populated of the five main islands of Japan. Before Okinawa became a prefecture during the early part of the Meiji period (1868 -1912) it was a semi-independent kingdom under the influence of both China and Japan . In 1429, the three kingdoms on Okinawa unified to form the Kingdom of Ryukyu. In 1477 Shō Shi became king and banned the practice of Tō-te and Ryukyu kobudō (weaponry) however these continued to be taught in secret. The ban was continued even after Okinawa was invaded by the Satsuma Domain of Japan in 1609. The bans contributed to the development of kobudō which uses common household and farming implements as weaponry. The Okinawans combined Chinese martial arts with the existing local variants to form Tōde Tuudii, (China hand), sometimes called Okinawa-te By the 18th century, different types of Te had developed in three different villages Shuri, Naha and Tomari. The styles were named Shuri-te, Naha-te, and Tomari-te. Te often varied from one town to another, so to distinguish the various types of te, the area of origin was added, for example, Naha-te, Shuri-te, or Tomari-te. Shuri-te, Naha-te and Tomari-te belong to a family of martial arts that were collectively defined as Tode-jutsu or To-de. In 1879 The Ryukyu kingdom was annexed by Japan and was renamed the Okinawa Prefecture by the Meiji government. Naha is the capital city of Okinawa, Shuri is a district of Naha and Tomari is a neighbourhood where the Tomari terminal of the port of Naha is located. After 1926 Okinawa-te or Karate-jutsu was systematically taught in Japan . As you read this genealogy you will see that many of the styles of karate practised today inherited the characteristics of both the Naha-te and Shuri-te. The reason for this is because the founding fathers of karate were either born in Naha or Shuri or were taught and practised these styles of martial arts. This paper focuses on the styles and teachers that influenced the way we practise karate in Budokan. There are other styles such as Shorin-Ryu (Choshin Chibana) and Wado-Ryu (Otsuka Hironori) which have connected genealogies. Although I include Gichin Funokoshi (Shotokan) it is because he trained under Yasutsune Anko Itosu whom I regard as the father of Karate although Funakoshi is sometimes referred to as the father of karate. SATUNUSHI “TODE” SAKUGAWA Born in 1773 in Akata, Shuri, Ryukyu Kingdom. Died 1815 age 81/82 In 1750, Sakugawa trained under monk, Takahara for six years. At Takahara’s suggestion Sakugawa trained under Kusanku, a Chinese master in Ch'uan Fa. Sakugawa also spent six years training with Kusanku. He taught what he learned in Ryūkyū Kingdom in 1762. He was considered to be such an expert that people gave him, as a nickname: "Tōde" (Chinese Hand). His most famous student was Matsumura Sōkon, went on to develop the Shuri-te which later develop into Shōrin-ryū style of karate. The five Pinan forms were (allegedly) created by drawing from two older forms, kusanku and chiang nan. Itosu is also credited with taking the large Naihanchi form and breaking it into the three well-known modern forms Tekki Shodan, Tekki Nidan and Tekki Sandan. In 1908, Itosu wrote the influential "Ten Precepts (Tode Jukun) of Karate, reaching beyond Okinawa to Japan. Itosu's style of karate, Shorin-ryu, came to be known as Itosu-ryu in recognition of his skill, mastery, and role as teacher to many. While Itosu did not invent karate himself, he modified the kata he learned from Matsumura, and taught many karate masters. Itosu's students included Choyu Motobu (1857–1927), Choki Motobu (1870–1944), Kentsu Yabu (1866–1937), Chomo Hanashiro (1869–1945), Gichin Funakoshi (1868–1957), Moden Yabiku (1880–1941), Kanken Toyama (1888–1966), Shinpan Shiroma (Gusukuma) (1890–1954), Anbun Tokuda (1886–1945), Kenwa Mabuni (1887–1952), and Chōshin Chibana (1885–1969). Itosu is credited with the creation of Pinan Shodan, Sandan, Yondan and Godan, Tekki Shodan Nidan and Sandan, Jion, Jitte, Jiin, Cinte, Rohai, Bassi Sho and Dai, Kanku Sho and Dai and Gojushi Ho HIGOANNA KANRO Born 10 March 1853 Nishimura, Naha, Ryukyu Kingdom Died October 1915 Naha, Okinawa Higoanna was introduced to the martial arts by Arakaki Seiisho, a Chinese monk. Arakaki is known for teaching the kata Unshu, Seisan, Shihohai, Sōchin, Niseishi, and Sanchin. When in the 1880s Ryūkyū was annexed by Japan, Higoanna Kanryo returned to Okinawa where he taught the martial arts in and around Naha. He began by teaching the sons of Yoshimura Udun Chomei. His style of karate was called "Naha-te". He taught Naha-te to the public in 1905 in the Naha Commercial School. Kanryo was noted for his powerful Sanchin. Several of Kanryo's students went on to become influential masters of what came to be called karate, amongst them Chōjun Miyagi, Kenwa Mabuni, Kyoda Shigehatsu, Koki Shiroma, Higa Seiko, Tsuyoshi Chtose and Shiroma Shinpan (Gusukuma). In 1930, Funakoshi established the Dai-Nihon Karate-do Kenkyukai to promote communication and information exchange among people who study karate-dō. In 1936, Dai-Nippon Karate-do Kenkyukai changed its name to Dai-Nippon Karate-do Shoto-kai, which is known today as Shotokai, and is the official keeper of Funakoshi's karate heritage. 1949 Funakoshi's students created the Japan Karate Association (JKA), with Funakoshi as the honorary head of the organization. however, in practise this organization was led by Masatoshi Nakayama. The JKA formalized Funakoshi's teachings. CHOJIRO TANI Founder of Shukokai Born 1921, Kobe Japan Died 11 January 1998 Chojiro Tani started his formal karate training under Miyagi Chōjun, whilst a student at Doshisha University in Kyoto. When Miyagi Chōjun returned to Okinawa the founder of Shitō-ryū, Kenwa Mabuni took over the teaching. When he graduated from university, Tani began learning Shuri-te and then Shitō-ryū from Mabuni as well. After many years of training under Mabuni and becoming one of his most senior students, Tani received the certificate of succession from him and became the head of Shitō-ryū, enabling him to use the name Tani-ha Shitoryu. In 1946 Chōjirō Tani began teaching Shūkōkai at a dojo in Kobe, Japan. Shūkōkai was designed around the study of body mechanics and is very fast due to its relatively high stance aiding mobility and is known for the double hip twist, which maximises the force of its strikes. Being a direct descendent of Shito-Ryu, Shukokai inherits the characteristics of both the Naha-te and Shuri-te from Okinawa. Kenwa Mabuni merged the techniques and principles of the styles he learned from his teachers Kanryo Higaonna, and Anko Itosu to form his Shukokai style of Karate. Shukokai combines the circular breathing techniques from Naha-te and the quick linear movements of the Shuri-te styles. Katas like Sanchin, Tensho, and Seienchin are handed down from the Naha-te traditions, while katas like Annanko, Matsukaze, and Bassai-Dai are handed down from the Shuri-te traditions. The similarities between Tensho, Sanchin, and Seienchin, and the similarities between Bassai-Dai, Annanko, and Matsukaze, reveals what makes the Naha-te katas different from the Shuri-te katas. One of Tani's most senior students was Shigeru Kimura. After the death of Gogen Yamaguchi, the brothers Gosen and Goshi Yamaguchi shared the task of organizing the Goju Kai. Gosen became president and Goshi became Saiko Shihan, which means the highest technical authority. Gosen like his Father believed that sparing (jyu-kumite) was an essential part of karate training. Gosen Yamaguchi died only about a year after his father's death due to health reasons. He is remembered and greatly respected for his gentle unassuming nature, his wisdom, as well as his precise, effective yet beautiful flowing and typical 'Goju ryu' technique style, and his enormously dedicated and hardworking attitude to his duties of the IKGA and his career with Japan Airlines. After his death, the top instructors of the Japan Goju Kai Karate Federation appointed Goshi Yamaguchi as President and Saiko Shihan. RICHARD SALMON Born 28th November 1939 Durban – South Africa Richard Salmon introduced to the Martial Arts by Pearson Widdicombe at the YMCA Kodokwan Dojo in Durban where he obtained his first dan. Richard Salmon opened his first dojo in the double garage of his home in Sarnia in 1960. In 1961 Richard Salmon was introduced to Akira Taniguchi, then 5th Dan Goju-Ryu with whom he trained whilst Taniguchi was in Durban. Upon his departure, Taniguchi Sensei graded him to First Dan Goju-Ryu. In 1962 at the invitation of Taniguchi Richard Salmon travelled to Brazil with Des Botes, of Shukokai, South Africa, Also, in 1962 Taiji Kase (6th Dan Shotokan) instructor visited South Africa when Richard Salmon, amongst many other JKA karateka were trained by him the YMCA Kodokwan dojo. RAYMOND EDWARD RYAN Born 1 July 1936 Johannesburg – South Africa Died 13th November 1989 – Durban - South Africa Ray started his karate training with Shukokai where he teamed up with Richard Salmon. In 1963 Richard Salmon and Ray Ryan opened a dojo in Sarnia, Durban which was called Budokan. They acquired a piece of land in Westville, South Africa and with the help of their students built a dojo there which was the first Budokan Honbu. In 1965/66, Hanshi Chojiro Tani, came to South Africa and many of the Budokan karateka had the great fortune to be trained by him. Bibliography Okinawan martial arts - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia. Sakugawa Kanga - Author: Wikipedia contributors - Wikipedia, The Free Encyclopaedia. – Traditions of Shotokan Matsumura Sōkon - Author: Wikipedia contributors - Wikipedia, The Free Encyclopaedia. Ankō Itosu - Author: Wikipedia contributor - Wikipedia, The Free Encyclopaedia. Gichin Funokoshi - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – The History of Fighting. - Karate do-My Way of Life-Gichin Funakoshi =- Karate Do Nyumon- Gichin Funakoshi Kenwa Mabuni - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia- Karate Kenpo (1934), Karate-Do Nyumon (1938) – Kenwa Mabuni – Ancient Okinawan Arts 1 – Koryu Uchinadi -Standing on the Shoulders of Giants-Patrick McCarthy Chojun Miyagi - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia. – International Okinawan Goju-Ryu Karate do Federation – Karate do Gaisetsu – An Outline of Karate Do – Chojun Miyagi–(1934)- Ancient Okinawan Arts 2 – Koryu Uchinadi Gogen Yamaguchi – Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – International Karatedo Gojukai Association. - Higoanna Kanryo - Wikipedia contributors Wikipedia, The Free Encyclopaedia – International Karatedo Gojukai Association – Okinawan Karate Chojiro Tani - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – Shukokai World Karate Federation Shigeru Kimura- Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia - Shukokai World Karate Federation – Kimura Shukokai International Gosei Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Gosen Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – Goshi Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia MATSUMURA “BUSHI” SOKON Born in 1809 in Yamagawa Village, Shuri, Okinawa. Died in 1899 aged 89/90 Matsumura studied karate under Satunushi Sakukawa who is also referred to as Matsumura Kanga. Sakukawa was an old man at the time and reluctant to teach Matsumura, who was regarded as a troublemaker. However, Sakukawa had promised Kaiyo Sōfuku, Matsumura Sōkon’s father, that he would teach the boy, and therefore he did. Matsumura spent five years studying under Sakukawa. Matsumura garnered a reputation as an expert in the martial arts. He was the first to introduce the principles of Satsuma's swordsmanship school, Jigen-ryū, into Ryukyu kobujutsu (Ryūkyūan traditional martial arts). His most famous students include Ankō Itosu, Asato and Itarashiki Chochu. Matsumura is credited with creating and passing on kata known as naihanchi (Tekki), passai, seisan, Heian Nidan, chintō, gojūshiho, kanku (from kusanku's teaching as passed on to Tode Sakugawa) and hakutsuru (Hangetsu). Matsumura’s style of karate was known as Shuri-te which later develop into Shōrin-ryū style of karate. YASUTSUNE ANKO ITOSU Born in 1831 Gibo Village, Shuri, Ryukyu Died in 1915. Shuri, Okinawa Itosu started karate study under Nagahama. Following this he studied under Matsumura Sokon Itosu is credited with introducing karate into Okinawa's schools. In 1905, Itosu was a part-time teacher of To-de at Okinawa's First Junior Prefectural High School. Whilst there, he developed the systematic method of teaching karate techniques that are still in practice today. He created and introduced the Pinan kata forms (Heian in some styles) as learning steps for students, because he felt the older forms (kata) were too difficult for schoolchildren to learn. GICHIN FUNAKOSHI Founder of Shotokan Born 10 November 1868 Shuri, Okinawa Ryukyu Kingdom Died 26 April 1957 Tokyo Japan. Aged 88 years Funakoshi was a close friend of the son of Anko Asato a karate and Jigen-ryū master. He studied karate under Anko Asato and Yasutsune Ankō Itosu. Funakoshi had trained in both the styles of Okinawan martial arts of the time, Shōrei-ryū and Shōrin-ryū. Shotokan is named after Funakoshi's pen name, Shōtō which means "waving pines". Kan means training hall or house. Shōtōkan referred to the "house of Shōtō". This name was coined by Funakoshi's students when they posted a sign above the entrance of the hall at which Funakoshi taught. KENWA MABUNI Founder of Shito Ryu Born 14 November 1889 Shuri Okinawa Died 23 May 1952 Tokyo Japan. Mabuni started karate at the age of 13, training under Ankō Yasutsune Itosu. One of his close friends, Chōjun Miyagi who later became the founder of Gōjū-ryū introduced Mabuni to Higaonna Kanryō where he learned Naha-Te. Mabuni also trained under Seishō Aragaki, Tawada Shimboku, Sueyoshi Jino and Wu Xianhui (a Chinese master known as Go-Kenki). One of Mabuni’s most notable students was Chojiro Tani. By the 1920s he was regarded as the foremost authority on Okinawan kata and their history. It is alleged that Gichin Funakoshi learned kata from Kenwa Mabuni. Mabuni had several dojos in the Osaka area including one at Kansai University. In 1929, Mabuni moved to Osaka to become a full-time instructor of Hanko-ryū. Around this time karate became known as “open hand” as opposed to Chinese hand and Mabuni changed his style from Hanko Ryu to Shitō-ryū. This name was derived from the on'yomi readings of the first Kanji character of I(to)su (Anko) and Higa(shi)onna (Higaonna). Shitō-ryū focuses on both hard and soft techniques to this day. Mabuni's experience with both the Naha-te and Shuri -te styles made him renowned throughout Japan and Okinawa as the foremost expert on kata. CHŌJUN MIYAGI Founder of Goju Ryu Born 25 April 1888, Naha, Okinawa Died 8 October 1953 aged 65. Miyagi began studying Karate at the age of nine under Ryuko Aragaki. When aged 14 Aragaki introduced him to Kanryo Higashionna (Higaonna). His training with Higaonna was interrupted from 1910 to 1912 whilst Miyagi completed his military service. In October 1915 Miyagi travelled to Foochow where he studied some local Chinese martial arts. It was on this second trip that he observed the Rokkishu (a set of hand exercises which emphasizes the rotation of the forearms and wrists to execute offensive and defensive techniques), which he then adapted into the Tensho Kata. From the blending of these systems, and his native Naha-Te a new system emerged. In 1929 Chōjun Miyagi named the style Gōjū-ryū, meaning "hard soft style". After several months in China, Miyagi returned to Naha where he opened a dojo. In recognition of his leadership in spreading karate in Japan, Goju-Ryu, became the first style to be officially recognized by the Dai Nippon Butokukai. He revised and further developed Sanchin the hard aspect of Goju, and created Tensho the soft aspect. These kata are considered to contain the essence of the Goju-ryu. The kata, Suparinpei, is said to contain the full syllabus of Goju-ryu. Shisochin was Miyagi's favourite kata at the end of his years. With the goal of unification of various karate styles which was in fashion at that time, he also created more Shurite-like katas Gekisai Dai Ichi and Gekisai Dai Ni in 1940. Miyagi’s students included Gogen Yamaguchi, Seiko Higa, Seikichi Toguchi, Tatsuo Shimabuku, Erichi Miyazato, Meitoku Yagi, Seigo Tada and Anichi Miyagi. JITSUMI GŌGEN YAMAGUCHI “THE CAT” Born 20 January 1909 Miyakonojō, Shonai, Miyazaki Prefecture, Japan, near Kagoshima City Died on 20 May 1989. Gōgen was in the 5th grade when he began studying karate under Takeo Maruta in Okinawa. Maruta was a Gōjū-ryū practitioner. Maruta was himself a student of Chōjun Miyagi. At Yamaguchi’s invitation in 1929 Chōjun Miyagi visited Kansai, University Osaka, Ritsumeikan University, Kyoto, and Doshisha University. Yamagutchi was attending Ritsumeikan University at that time studying Law. In 1930 Yamagutchi and Jitsuei Yogi together founded the Ritsumeikan daigaku karate kenkyū-kai (Ritsumeikan University Karate Research Association), the first karate club at Ritsumeikan University. The Ritsumeikan Karate-dō Kenkyū-kai was the first university karate club in western Japan. Chōjun Miyagi gave Gōgen Yamaguchi the responsibility of spreading Gōjū-ryū in mainland Japan. In the early 1930s, Gōgen designed the Gōjū-ryū fist badge, which It is said is modelled on Chōjun Miyagi’s right fist. Gōgen Yamaguchi's contributions to Gōjū-ryū karate-dō and to karate-dō in general have been enormous. He developed and guided the International Karate-dō Gōjū-kai Association (I.K.G.A). It is popular in both Japan and other Asian and Western countries throughout the world. By 2008 there were approximately 60-70 countries teaching the Gōjū-kai karate-dō. Gōgen Yamaguchi succeeded in unifying all the karate schools in Japan into a single union which resulted in the formation of The Federation of All Japan Karate-dō Organization (F.A.J.K.O.) In 1964. The Kokusai Budō Renmei -(The International Martial Arts Federation) appointed Yamaguchi as a Shihan of that organisation's karate-dō division. Yamaguchi added the Taikyoku katas to the Goju- training methods for the beginner students to prepare them for the more advanced kata. SHIGERU KIMURA Born 2 March 1941 Kobe Japan Died 7 July 1995 New Jersey USA Shigeru Kimura began his karate training with Sensei Chojiro Tani at the age of 16. At the age of 21 he won the All Japan Championships. In 1965 left Japan in to teach Shūkōkai in Africa. He developed Shukokai emphasizing its power and strength and was regarded as an expert in the style. He later travelled to Europe and where he continued to teach. In 1970 at the age of 29 he moved to the United States, where he taught at Yonezuka's Cranford dojo for two years. He created the first Shukokai World Tournament in 1981. Chojiro Tani and Shigeru Kimura both made their greatest contributions to the style by continually refining each technique essentially re-defining the basics. Kimura made the study of body mechanics his primary focus. He taught that each technique was to deliver the greatest impact with the least amount of effort. He believed that each technique must be combat-effective. Kimura believed that a technique, no matter how powerful, was useless if it could not be delivered under combat situations. Kimura taught that as with the way of the samurai the outcome of a confrontation should be decided in a single technique. The result of his efforts is the combat-effective style of Shukokai. Shigeru Kimura died of a heart attack at the age of 54. GOSEN KISHIO YAMAGUCHI Born Manchuria 1940 Died 20th May 1989 The US Goju Kai has existed since 1963 as a significant group of the International Karate Do Goju Kai. Gosen Yamaguchi was the second son of Gogen Yamaguchi and he was the first instructor to publicize the entire Goju Ryu system in the United States. During his time as chief instructor, Gosen established the first Goju Kai Karate School in San Francisco at State College in the summer of 1963. After a while, Gosen Yamaguchi returned home to Japan to assist his father with teaching at the Hombu Dojo (central school). In 1966 he travelled to San Francisco with his wife, just married. From 1968 - 1971 Gosen worked for the airline Japan Air Line (JAL) in Frankfurt. In addition to his work, he continued to teach Goju Ryu Karate. After these three years, Gosen returned to Japan and was soon appointed Vice President of Japan Air Line. It is thanks to him that the Goju Kai was supported by JAL sponsorship in the 1970s.

The Philosophy of Budo Budo, the martial ways of Japan, have their origins in the traditions of bushido—the way of the warrior . Budo is a time-honoured form of physical culture comprising of judo, kendo, kyudo, sumo, karatedo, aikido, shorinji kempo, naginata and jukendo. Practitioners study the skills while striving to unify mind , technique and body; develop his or her character; enhance their sense of morality ; and to cultivate a respectful and courteous demeanour. Practised steadfastly, these admirable traits become intrinsic to the character of the practitioner. The Budo arts serve as a path to self-perfection. This elevation of the human spirit will contribute to social prosperity and harmony, and ultimately, benefit the people of the world. Written on 10 October, 2008 by the Japanese Budo Association (Nippon Budo Kyogikai) English translation approved on 1 May, 2009 ©2009 The Japanese Budo Association

DAVID PETER PASSMORE 16.04.46 - 23.10.24 It is with great sadness and regret that we report the passing of Saisho no Sensei, David Peter Passmore, who died on 23 October 2024 following a long battle with cancer. David began his martial arts career in 1962 when he joined Budokan South Africa. He successfully represented the province (county) of Natal at various tournaments and at the South African Games. In 1970 he founded Budokan UK in London and in 1974 began traditional Aikido training under Chiba Sensei. In 1975 he was placed under the guidance of Kanetsuka Sensei and acted as ‘uchideshi’ to him. David also trained under Ueshiba Kisshomaru, Sekiya Masatake, Tamura Nobuyoshi, Saito Morihiro, Yamada Yoshimitsu, Yamaguchi Seigo, Sekiya Masatake, and many other eminent Japanese and European teachers, across Europe in Amsterdam, Brussels, Frankfurt, Paris, Lyon, Marseille, Toulon and Nice.In 1978 he began training in Muso Shinden Ryu Iaido under Ishido Shizafumi and Hiroi Sensei of Zen Nippon Kendo Renmei, under the tutelage of Vic Cook within the British Kendo Association. David was a student of Zazen and practised Shikantaza every day in the tradition of the Soto Sect of Zen Buddhism. To our knowledge he remains the only senior Western Teacher to introduce Zazen as the 4th discipline of Budokan, which became a formal part of its Teaching and Philosophy.At the time of his passing David held the title of Kyoshi with the Dai Nippon Butokukai (DNBK) in Kyoto, one of Japan’s oldest traditional martial arts organisations, and holds the ranks of 7 Dan Karate, 6 Dan Aikido and 6 Dan Iaido with them. Upon receiving the news of David’s passing Hanshi Hamada confirmed that, “based on his longstanding dedication and contribution to the development of Japanese traditional Budo in the Uk, the DNBK posthumously honour him as Hanshi Title and that the DNBK would conduct a Flag Ceremony in his honour at the forthcoming WBS in Kyoto Japan where he will be enshrined in the DNBK ID Martial Arts Hall of Fame. David is the founder of Budokan World which now has many international affiliates.David was a consummate teacher even whilst suffering greatly from cancer he used every experience to provide lessons to Shihonkai members so that they should learn from his teaching that death is not to be feared and that he expects to pass from this world into another where he looks forward to meeting us there. David is survived by his wife Katy and three Children, Caroline, Duncan and Tilly, Eight Grand Children, Eve, Hattie and Niah, Lowri, Aimee, Oliver and Joshua. We remember Torin who passed away January 2022 Shihonkai Budokan

1960 - 2021 LOCKDOWN FUNNIES AND THE WINNER IS THE RUNNERS-UP WERE KEITH MOLYNEUX DIX FROM SA TOBY MELLOWS AND CONGRATULATIONS TO ALL THOSE WHO TOOK PART - GREAT FUN ALL ROUND! Strong in hand, kind in heart © David Passmore 2021 www.budokanworld.com Website created and built by David & Katy Passmore All rights reserved in all media HOME About New Page PHILOSOPHY OF BUDO New Page THE BUDO CHARTER BUSHIDO-BUDO DOSHU - RICHARD SALMON TTHE ART OF KARATE KATA KARATE GENEALOGY STORY OF BUDOKAN ARCHIVE ZEN DESCRIPTION DOWN MEMORY LANE TAMURA NOBUYOSHI ARCHIVE 10 DAN KARATE KATA WORKSHOPS 2022 New Page New Page General ABOUT ACCREDITATION CERTIFICATION MEMBERSHIP INFO New Page New Page New Page New Page MEMORIAM General IAN CARD LINEAGE BLACK BELT REGISTER DOJO AIKIDO PRETORIA BUDOKAN HOLLAND BUDOKAN LYMINGTON General BUDOKAN SOUTHAMPTON BUDOKAN LEOMINSTER BUDOKAN RANDBURG BUDOKAN ARUNDEL KARATE - JEFFREYS BAY BUDO KARATE SA New Page KODOKWAN ZAMBIA KYUSHINDO BUDOKAN NZ LARNE NI RIO GRANDE DO SUL SEISHIN SHINSEI RESEARCH LIBRARY Search Results

THE ART OF KARATE KATA Aesthetics and Power Kata in Japanese simply means form and their origin can be traced back to the relationship between China and Okinawa, during the early years of trading between the two countries. Performing and practicing Kata requires the complete immersion into body, mind and spirit - as all three have to be present in embu or performance, or the essence of what kata is all about, is lost. It is the combination of a range of body movements in a variety of different directions, made up of individual techniques that become progressively more flowing, appearing effortless to the untrained eye. They include simple hand and arm movements at first until balance is achieved based upon the use of correct stances. Being in the correct stance at every moment of any kata is THE principal requirement of balance and movement from one stance to the other. Without this element in place at every turn, the very foundation of each form is absent. And by stance is meant to be not only the height and length of each one that is done - which is critical - but the relationship of one foot to the other and the angles they are placed in to achive stability in the landing and lightness of touch and bounce in preparation for the next move. A good kata practitioner will eliminate all uneccessary footwork as a basic requisite for fluidity and the smooth flow of movement. A relaxed and not stiff upright posture is critical to this flow. Eyes level - chin tucked in just enough - head balancd on the torso - shoulders level at all times - chest slightly raised - lower back hollow - allowing movment reminiscent of a matador. At an appropriate point - once balance has been achieved on two feet - kicking techniques are incorporated and take time to master in the flow of a kata as balancing moves onto one leg. The key skill here being how to return the foot to the floor and keeping the flow of the kata alive. And then the kata comes ito its own as a "dance" (the term in this context is of Chinese origin), made up of a designated number of moves, which have been handed down over time. Kime is a commonly used Japanese martial arts term, meaning "power" and/or "focus," describing the instantaneous tensing at the correct moment during a technique, where a momentary stillness is observed. It is the timing of moments like this that "make" any Kata. It is here where power and control merge and if you lose the latter, the kata disintegrates into a shambles as too much power on poor stances distorts the shape of each and every movement. It is the biggest mistake that Karateka in general make when performing kata - for in the Embu or performance, the expression of power must be contained so as to maximise the aeshthetic appeal of the Kata. The combination of this seemingly effortless flow of movement along with perfect timing and pause, creates a series of sequences which tell the "story" to be found in each kata, interspersed with moments of immense power. It can only be described as breathtakingly awesome to behold and beautiful to watch, as this explosive form of ballet appeals aesthetically as the Art of Karate Kata. Practitioners of karate kata read the various sequences and turn them into practice drills called Bunkai - the practical application of various techniques with a partner or partners - which naturally leads on to the various forms of Kumite - or sparring. But first there is the Art of the Kata to master. David Passmore Kyoshi 2008

DAVID PASSMORE Began the study of Shotokan Karate in South Africa in 1962 with Budokan Founders Richard Salmon and Ray Ryan, two of the leading pioneers of Japanese Budo development in SA at this time. Attended seminars with Enoeda Sensei and Kanazawa Sensei. Regularly trained under Kimura Sensei with Budokan in SA as it changed its karate style and adopted the style of Shukukai Ryu Karate in 1963/4. Represented the County of Natal in numerous Karate tournaments in SA in the 60’s and also in the SA Games in Bloemfontein. He founded Budokan UK in 1970 when he was invited to take over an existing Kyukoshinkai Karate Dojo in North London. Trained briefly under Harada Sensei in Shotokai Karate in London . Began Traditional Aikido in 1974 in Chiswick London under Chiba Sensei. In 1975 he was placed under the guidance of Kanetsuka Sensei in his Albany Grove Dojo in North London and acted as an UchiDeshi to him at his home Dojo and was taught Shiatsu by him. Trained under Senseis, the likes of Ueshiba Kisshomaru, Sekiya Masatake, Tamura Nobuyoshi, Saito Morihiro, Yamada Yoshimitsu Yamaguchi Seigo, Sekiya Masatake, and many other eminent Japanese and European teachers, across Europe in Amsterdam, Brussels, Frankfurt, Paris, Lyon, Marseille, Toulon and Nice. He also attended Aikikai Summer Schools, Seminars and Workshops in London, Bristol, Liverpool, Stirling, Canterbury, Warminster, Sheffield and Cardiff. Founder Secretary of the British Aikido Board. In 1987, he began training in Muso Shinden Ryu Iaido under Ishido Shizafumi and Hiroi Sensei of Zen Nippon Kendo Renmei, under the tutelage of Vic Cook within the British Kendo Association. He attended Workshops and Seminars in London, Brighton, Birmingham, Maresfield, Ipswich and Stockport. Served as the Chairman of the UK Martial Arts Commission, within the UK Sports Council. He attended a week long Zazen seminar at La Gendronnière near Blois in the Loire Valley in France, the Zen Buddhist temple founded by Master Taisen Deshimaru. He has attended Zesshins in Zen enclosures in the UK as a part of Japanese Budo seminars and workshops and practises Shikantaza every day in the tradition of the Soto Sect of Zen Buddhism. To our knowledge he remains the only senior Western Teacher to introduce Zazen as the 4th discipline of Budokan, which became a formal part of its Teaching and Philosophy. He currently holds the title of Kyoshi with the Dai Nippon Butokukai (DNBK) in Kyoto, one of Japan's oldest traditional martial arts organisations, and holds the ranks of 6 Dan Karate, 6 Dan Aikido and 6 Dan Iaido with them. He has attended and conducted many Budo seminars in the UK, France, Belgium, Italy, Netherlands, Bahrain and the US. He trained in all three of his disciplines at the first DNBK World Butokusai held outside of Japan in West Virginia in 1998, which was attended by all of the Hanshi Board of the DNBK and other eminent guest teachers and instructors. He attended other DNBK events held in Manchester England in 2000 and in Brussels in 2006. He trained in DaitoRyu AikiJujutsu, Iaido and Karatedo at the Butokuden in Kyoto, Japan, in 2002 and in 2008. Masters at these two events were Adachi Manabu – Kyudan; Kuwahara Takamichi - Judan; Hamada Tesshin- Hachidan; Takada Kanji - Kyudan; Takeda Yutaka – Hachidan; Nakada Takeo – Kyudan; Murata Nishi – Hachidan; Muira Takayuki – Kyudan; Masakatsu Tsujino, Hanshi, Judan and Shimabukuro Masayuki He founded budokanonline.co.uk with his wife Katy in 2006 - the first time Budokan had ever had a website. He was one of the hosts of the highly acclaimed First Open Traditional Japanese Budo Workshop held at the University of Derby Buxton on 17/18 October 2011. He was the organiser of two more successful Open Traditional Japanese Budo Seminars at Buxton in October 2013 and September 2014 in Ardingly, West Sussex. In 2018 he founded and created budokanworld.com a site which now holds what has become known as the Budokan Library and of which he is still the Publisher. This is the Foundation, Basic, Intermediate and Advanced content in words, pictures,/illustrations, audio and video that makes up the entire teaching manual and methodology from which all Teachers, Instructors and Students of Budokan Dojo take their lead. In 2018 he was graded to 7 Dan Karate.

Taking care of ourselves, our families, our friends and our communities has never been more important in our lives, as we struggle with the everyday reality of what is happening around us, to us and to many whom we know. "Being deeply loved by someone gives you strength, while loving someone deeply gives you courage." Lao Tzu We wish you whatever you wish for yourselves in the New Year of 2024 and we hope we can inspire you to keep head, heart and soul together for the benefit of those around you. "Our greatest glory is not in never falling, but in rising every time we fall". Confucius

BUDOKAN DOJO THE HEART AND SOUL OF TRAINING There are thousands of dojo that practice Karate, Aikido Iaido and other traditional Japanese Budo or martial arts such as Kendo, Ju Jitsu, Kodokan Judo and Kobudo - mosltly small "houses" of martial ways. We would like to bring these dojo together via their Dojo Leaders in order to create and host all the content required to teach and learn traditional Japanese Budo in the manner in which they were originally intended, which has become part of our lineage. Including, should any dojo wish it, the teaching of the classical virtues of Japanese Bushido, with the practice of zazen or seated meditation. The OLINE LIBRARY will never replace the dedicated training required to acquire rlelvant skills in martial arts - but will serve as a complement to that effort as more teaching and learning takes place online, simply because it is more easily accessible at any time. It is intended that these DoJo Pages will also hold news, events, grading, social gatherings and views in words, pictures and vodeo of what Budo people, colleagues and friends are up to in the conduct of their daily lives wherever they are in the world. DOJO DIRECTORY RIO GRANDE DO SUL BUDOKAN HOMBU DOJO BUDOKAN SOUTHAMPTON BUDOKAN NETHERLANDS SHINSEI DOJO KODOKWAN JUDO ZAMBIA BUDOKAN JEFFREYS BAY AIKIKAI PRETORIA BUDO KARATE DO SA BUDOKAN IN NZ KYUSHINDO DOJO BUDOKAN ARUNDEL SEISHIN DOJO THE ZEN HUT BUDOKAN LARNE DOJO KENYOKAN DOJO NZ BUDOKAN LLANGUNLLO GOJU RYU KARATE KARATE AIKIDO IAIDO ZAZEN KARATE AIKIDO IAIDO ZAZEN KARATE KYUSHO AND KODOKWAN JUJITSU IAIDO KENDO KODOKAN JUDO AND JUJITSU KARATE AIKIDO KARATE KARATE AND SELF DEFENCE YANAGI RYU JIU JUTSU KARATE AIKIDO IAIDO ZAZEN KARATE KOBUJUTSU KARATE KENJUTSU KOBUDO ZAZEN KARATE AIKIDO GOJU RYU KARATE KARATE AIKIDO IAIDO ZAZEN

PRETORIA AIKIKAI, SOUTH AFRICA Training is done in an energetic, friendly, safe and non-competitive atmosphere. Beginners and advanced students train as a close, integrated community and family unit in the same class. The pace varies according to the experience and seniority of each member. Beginners and visitors are always welcome. DISCIPLINE AIKIDO – Traditional INSTRUCTION Paul de Beer (6th Dan) Cell: +27 (0)83 636 1764 E-mail: aikido.pretoria@gmail.com Website: www.AikidoPretoria.co.za VENUE The dojo is situated in a basement on the western side of the Rembrandt hall in the LC De Villiers Sport Centre of the University of Pretoria, South Street extension (East), Hatfield, PRETORIA. GPS Coordinates: S25° 45.198 E28º 14.965 PRACTICE TIMES Mondays: 18:00 to 19:30 Wednesdays: 18:00 to 19:30 Fridays: 18:00 to 19:30 The dojo is closed on public, as well as certain University/School holidays. THE DOJO: The Pretoria Aikikai was established in 1979. It continues to play a central role in the training of instructors and the spreading of Aikido throughout South Africa. Tuks Aikido is situated in Hatfield and serves as the central dojo in Pretoria. It is run by Mr Paul de Beer (6th Dan, Aikikai, Dojo-cho) with the aid of assistant instructors. It has close ties with Aikido groups in Japan, Italy, Guam, Great Britain, Hong Kong, New Zeeland, Australia, Canada, China, Russia and Reunion. Seminars and exchanges take place at regular intervals. "Kindness is the language the blind can see and the deaf can hear" - Mark Twain AIKIDO-A TOOL FOR SENSIBLE LIVING REDISCOVERING AIKIDO

TAMURA NOBUYOSHI The body, core of the practice The major architect of the development of Aikido in France and Europe Writtenby Eric Grousilliat Tamura Nobuyoshi, born in 1933 and deceased in 2010, was undoubtedly the major architect of the development of aikido in France and Europe. Entered as an uchi deshi at the Honbu dojo of the aikikai on August 5, 1952, he stayed there until his departure for Europe in October 1964. He was a privileged partner of Ueshiba Morihei, particularly with the weapons, and served as otomo (assistant) during his trip to the Hawaiian Islands in 1961. 5th dan at the time, Tamura sensei quickly made a name for himself among Hawaiian aikidoka, who nicknamed him the “stone wall” because it was impossible to move him. Settled in the south of France for almost 50 years, he had the reputation of an efficient aikido, despite his small size, and while he taught two days a week in his Shumeikan dojo, he spent the rest of his time teaching in large workshops, often gathering 400-500 people, both in France, Europe, and also in other countries. At the time when he was uchi deshi, Tamura was described by his fellow students as a “carbon copy of the founder”, because gifted with a deep sense of observation, he had perfectly understood that in the world of Budo, one must be able to “steal the technique”. Tamura sensei’s credo was that the first goal of the practice was to order the body, i.e. to remove the useless, to adopt a correct posture, to pose the breath. After that, once the body orders, the mind follows. That’s how he understood the words of Ueshiba Morihei: “Aikido is misogi”. From his beginnings in Europe in November 1964 until his last training course in France in March 2010, Tamura sensei’s practice was in constant evolution, always trying to purify his movements, to find the right gesture. This concerns his practice of Taijutsu of course but also the practice of weapons and preparatory gymnastics, the junbi dosa. At the time Tamura sensei entered the Honbu dojo, the morning class began with Ame no torifune, and then the technical study came immediately afterwards. With the development of aikido to a wider audience, it was decided, mainly under the leadership of Tohei Koichi, to introduce Junbi dosa. Ueshiba Morihei also became older and was interested in different healthy systems. Tamura sensei said: “It is a tradition that existed in Aikido, at the time of O sensei. The Makko-ho, the health system of Katsuzo Nishi Sensei or the method of Kenzo Futaki (Misogi no Renseikai). O sensei would try certain things himself and if he found it interesting, he would ask his students to do so. He would say, “It’s good” or “It’s not good” (Laughter). He would make us do that, but he would say, “Stop if you feel something is wrong. I still do some Nishi sensei exercises every morning Tamura sensei introduced when he arrived in France, the junbi dosa learned at the Honbu dojo, starting with Amenotorifune, followed by taisabaki, tekubidosa, ukemi, breathing exercises, shikko, etc…they are often referred to as aikitaiso. It is a practice that is quite well known by aikidoka around the world and I will not dwell on it. However, it can be said that in accordance with the founder’s conception, Tamura sensei did not see these exercises as a kind of warm-up but as aikido. He said: “Practicing Aikitaiso is already practicing Aikido” Tamura sensei was a Budo researcher, curious about everything. In his book “Aikido”, he said: “To practice martial art, you study dietetics, anatomy, psychology, meteorology, astrology, geology, sociology, etc.”. For combat, these studies are essential, they are necessary. ” With this state of mind, his practice was in constant evolution, in constant research, especially in the domain of the body. It was therefore quite natural that Tamura sensei proposed to her students certain methods to both strengthen the body but also improve health. At a young age, he was already interested in the macrobiotic diet, meeting Sakurazawa Yukikazu, the founder of the method. It was through this method that he heard about aikido and met Yamaguchi Seigo. It was the latter who convinced him to become uchi deshi. Still in the prime of life, he first became interested in Jikyo jutsu, a set of 31 movements, combining joint gymnastics, breathing exercises and also acupuncture point pressure. Tamura sensei used to repeat movements 1, 2 and 15 after the complete series. At the time Tamura sensei entered the Honbu dojo, the morning class began with Ame no torifune, and then the technical study came immediately afterwards. With the development of aikido to a wider audience, it was decided, mainly under the leadership of Tohei Koichi, to introduce Junbi dosa. Ueshiba Morihei also became older and was interested in different healthy systems. Tamura sensei said: “It is a tradition that existed in Aikido, at the time of O sensei. The Makko-ho, the health system of Katsuzo Nishi Sensei or the method of Kenzo Futaki (Misogi no Renseikai). O sensei would try certain things himself and if he found it interesting, he would ask his students to do so. He would say, “It’s good” or “It’s not good” (Laughter). He would make us do that, but he would say, “Stop if you feel something is wrong. I still do some Nishi sensei exercises every morning Tamura sensei introduced when he arrived in France, the junbi dosa learned at the Honbu dojo, starting with Amenotorifune, followed by taisabaki, tekubidosa, ukemi, breathing exercises, shikko, etc…they are often referred to as aikitaiso. It is a practice that is quite well known by aikidoka around the world and I will not dwell on it. However, it can be said that in accordance with the founder’s conception, Tamura sensei did not see these exercises as a kind of warm-up but as aikido. He said: “Practicing Aikitaiso is already practicing Aikido” Tamura sensei was a Budo researcher, curious about everything. In his book “Aikido”, he said: “To practice martial art, you study dietetics, anatomy, psychology, meteorology, astrology, geology, sociology, etc.”. For combat, these studies are essential, they are necessary. ” With this state of mind, his practice was in constant evolution, in constant research, especially in the domain of the body. It was therefore quite natural that Tamura sensei proposed to her students certain methods to both strengthen the body but also improve health. At a young age, he was already interested in the macrobiotic diet, meeting Sakurazawa Yukikazu, the founder of the method. It was through this method that he heard about aikido and met Yamaguchi Seigo. It was the latter who convinced him to become uchi deshi. Still in the prime of life, he first became interested in Jikyo jutsu, a set of 31 movements, combining joint gymnastics, breathing exercises and also acupuncture point pressure. Tamura sensei used to repeat movements 1, 2 and 15 after the complete series. The Jikyo jutsu, which could be translated as the “technique of developing one’s own strength”, was created in 1916, under the efforts of Nakai Fusagoro ( / 1878-1931 ), as the first Japanese gymnastics for the promotion of health. Within the context of Budo, of course, improving one’s breathing capacity, flexibility and relaxation, muscle tone, is something of very important, in perfect accordance with the practice of the techniques. Regarding Jikyo jutsu, Tamura sensei said: “After doing the Jikyo jutsu exercises, I am instantly able to hold myself in a natural and relaxed posture, which is very effective when you are not feeling well. It’s difficult when you practice with a partner, but when you practice them alone, you become able to see inside yourself. As Tamura sensei became older, he gave up this practice for himself, but he always invited his students to do so. He then practiced several kinds of methods inspired by his knowledge of Chinese and Japanese practices, a series of self-massage to relax and energize or a series of stretches that were both complete and relaxing. The latter method was particularly useful for correcting the body’s posture, rather than forcing on the body’s muscles, the emphasis was on maintaining different positions. Chinese method of Qi Qong It was in the early 2000s, when I used to go regularly to the Shumeikan dojo, that sensei presented for the first time his method called the eight pieces of brocade, which is part of the Chinese method of Qi Qong. This was the beginning and afterwards he made some slight changes to the exercises. Far from the dynamism of Aikitaiso or Jikyojutsu, the eight breathing movements were slow, but also with great mental concentration. In this way, the coordination between movement and breathing was refined, and in this way, we became closer to the work of aikido. Tamura sensei described her evolution of the Junbi dosa as follows: “Before, I used to start with Ame no torifune. Then followed other educative ones such as Ikkyo undo. These are movements that O’Sensei practiced and are perfect for young people. The children also like them a lot. Now I’m older and more sensitive to my body. I feel that it is good to do this or that exercise depending on the moment and I change the preparation. I say it often, but these are things that I have discovered over time and that make me feel good. I currently practice a kind of Chinese gymnastics that I find very interesting. It’s a suggestion that I make to people. Everyone has to look for what works for them. You can do the exercises with a health perspective at the beginning but after a period of time, it should become a work of introspection on the body. If we really pay attention to each gesture, an exercise that we thought we were doing correctly will seem difficult the next day. The body is an extraordinary thing and we must learn to listen to it. Anything that is not natural imposes constraints on the body. Positions that may appear comfortable to us superficially are often incorrect and do not allow the body to function naturally. The most correct positions are the best for health. They do not use any force and do not tire, no matter how long they are held. If your shisei is correct, the breath is settled and the body is relaxed. That’s why kokyu ho exercise is extremely important. One finds there the same type of research as in zazen or yoga. Budokas should have the posture that yogis or Zen monks have. This work of posture, of shisei, constitutes in my opinion the basis of the bases. As long as the shisei is not established, it is useless to think about movement. It is something that I think is particularly missing in today’s aikido world. But the meaning of shisei does not only refer to an external attitude: a good form, a style, a good posture, but also, an inner force visible from the outside in its manifestation. The sword, forge of body and mind It is usual to say that aikido comes from the sword…this was especially true in the work of Tamura sensei. Everything, in his gestures, in his attitude, in his eyes was placed under the sign of the sword. Experiencing a technique from him was like feeling a cut. Tamura sensei’s father was a kendo instructor, trained at the Budo senmon academy (), and it was one of his friends who trained young Nobuyoshi in kendo. During the same period, he started judo. It is around 20 years old, after becoming uchi deshi of the honbu dojo, that he was initiated to iaido with the very famous Haga Jun’ichi, a formidable swordsman, pupil of Nakayama Hakudo. It was probably for a short period of time, as his tasks as an uchi deshi were very strenuous, but a passion for the work was born. Tamura Semsei ‘s lecture about bokken So when he started in France as an aikido teacher, he quickly realized that just working with the bokken and the jo, which he had learned from O sensei, made it hard to fully understand the real sword work, especially for a western audience. He therefore proposed the practice of iaido, devoting part of the training courses to this practice. In 1977, on the advice of Chiba Kazuo sensei, who is very involved in the practice of Iaido, Tamura sensei invited Mitsuzuka Takeshi, an expert from the Muso Shinden Ryu school, the last generation of Nakayama Hakudo’s students, to teach during the aikido workshops. At the same time, during the Shodan’s examinations , Tamura Sensei required the knowledge of the first four Iaido kata of the Muso shinden ryu school. Tamura sensei’s Iai As with the Junbi taiso, the practice of Iaido becomes an important part of Tamura sensei’s training. As a passionate person, Tamura sensei’s practice was in perpetual evolution, he tried out new things, keeping what he thought was useful, discarding the rest. The sword was at the heart of his practice, in his way of executing the techniques, in his way of walking, getting up, doing ukemi, etc.. At the end of the 90s, something pushed his practice further in this direction. He discovered the incredibly fine work of Kuroda Tetsuzan, met her, and introduced important changes in his practice, such as the way of making ukemi, holding the sword or moving while doing the techniques. For his own training he worked on the kata of iaijutsu demonstrated by Kuroda sensei, for his students he proposed to work on the first sword suburi presented by Kuroda sensei. Of course, Tamura sensei also proposed exercices with partner using the bokuto or the jo, but this was based on a rather simple but fundamental work, looking for opening, weakness in the partner’s guard, while avoiding offering it oneself. Again, a deep and profound work on the shisei, concentration, observation. There was no separation in his practice, Taiso, Buki waza and Taijutsu corresponded to the same study, a study on oneself. One of the most important principles of Tamura sensei’s sword was the absence of blocking. The sword does not make contact with the partner’s sword at any time, it seeks the opening in the guard and cuts directly into the center. Facing Tamura sensei, it was really hard to initiate an attack, at the slightest movement, you were “cut”. Similarly, with my bare hands, at the slightest grasp of Tamura sensei, it was impossible for me to move. On the contrary, to try to attack Tamura sensei was to immediately find oneself “cut off”, i.e. unbalanced without really understanding why.

The Budo Charter Budo Kensho The Japanese Budo Association was formed in 1987. The English version of their Budo Charter was produced in 2004 and is reproduced here for your interest. Their Philosophy of Budo was published in 2009 and will be posted up soon. Budo, the Japanese martial ways, have their origins in the age-old martial spirit of Japan. Through centuries of historical and social change, these forms of traditional culture evolved from combat techniques (jutsu) into ways of self- development (do). Seeking the perfect unity of mind and technique, budo has been refined and cultivated into ways of physical training and spiritual development. The study of budo encourages courteous behaviour, advances technical proficiency, strengthens the body, and perfects the mind. Modern Japanese have inherited traditional values through budo which continue to play a significant role in the formation of the Japanese personality, serving as sources of boundless energy and rejuvenation. As such, budo has attracted strong interest internationally, and is studied around the world. However, a recent trend towards infatuation just with technical ability compounded by an excessive concern with winning is a severe threat to the essence of budo. To prevent any possible misrepresentation, practitioners of budo must continually engage in self-examination and endeavour to perfect and preserve this traditional culture. It is with this hope that we, the member organisations of the Japanese Budo Association, established The Budo Charter in order to uphold the fundamental principles of budo. ARTICLE 1: OBJECTIVE OF BUDO Through physical and mental training in the Japanese martial ways, budo exponents seek to build their character, enhance their sense of judgement, and become disciplined individuals capable of making contributions to society at large. ARTICLE 2: KEIKO (Training) When training in budo, practitioners must always act with respect and courtesy, adhere to the prescribed fundamentals of the art, and resist the temptation to pursue mere technical skill rather than strive towards the perfect unity of mind, body and technique. ARTICLE 3: SHIAI (Competition) Whether competing in a match or doing set forms (kata), exponents must externalise the spirit underlying budo. They must do their best at all times, winning with modesty, accepting defeat gracefully and constantly exhibiting self-control. ARTICLE 4: DOJO (Training Hall) The dojo is a special place for training the mind and body. In the dojo, budo practitioners must maintain discipline, and show proper courtesies and respect. The dojo should be a quiet, clean, safe and solemn environment. ARTICLE 5: TEACHING Teachers of budo should always encourage others to also strive to better themselves and diligently train their minds and bodies, while continuing to further their understanding of the technical principles of budo. Teachers should not allow focus to be put on winning or losing in competition, or on technical ability alone. Above all, teachers have a responsibility to set an example as role models. ARTICLE 6: PROMOTING BUDO Persons promoting budo must maintain an open-minded and international perspective as they uphold traditional values. They should make efforts to contribute to research and teaching, and do their utmost to advance budo in every way. Member Organisations of the Japanese Budo Association Zen Nihon Judo Renmei (All Japan Judo Federation) Zen Nihon Kyudo Renmei (All Nippon Kyudo Federation) Zen Nihon Karatedo Renmei (Japan Karatedo Federation) Shorinji Kempo Renmei (Shorinji Kempo Federation) Zen Nihon Jukendo Renmei (All Japan Jukendo Federation) Zen Nippon Kendo Renmei (All Japan Kendo Federation) Nihon Sumo Renmei (Japan Sumo Federation) Aikikai (Aikikai Foundation) Zen Nihon Naginata Renmei (All Japan Naginata Federation) Nippon Budokan (Nippon Budokan Foundation) ©2004 The Japanese Budo Association

MEMBERSHIP INFORMATION HOW BUDOKAN WORK S Budokan exists as a constituted organisation since 1970 to promote the development of traditional Japanese Budo in the UK and Europe. See Lineage Budokan is responsible for the implementation of a teaching syllabus in the various Dojo or locations, where this syllabus is taught. Budokan confers the right of recognised and appointed instructors within each of these recognised Dojo to teach this syllabus as set down by David Passmore the Founder of Budokan UK. The disciplines taught are Aikido, Iaido, Karatedo and Zen - which means meditation. Prospective students come to us for a variety of reasons, and every one of them is encouraged to come to any of our dojo to meet us and see what we do. It is here at this introductory meeting, that a class can be observed and questions can be answered. We explain how we work, our fee structure, how gradings are conducted and introduce you to some of the students present, so that p rospective students can get a “feel” for how things are done. Budokan reserves the right to reject any membership application made to it and further to reserve the right to discipline any member for unacceptable behaviour, in any way it deems appropriate. We have been in existence in the UK for 52 years and have never refused an application. Anyone interested in joining Budokan is encouraged to come for a few classes of practice and training, before a decision is made to become a member. Clothing in the form of a Gi is available for these classes to those who wish to take advantage of this offer, prior to buying their own. See Equipment Classes Each class is taught in such a way, so as to appeal to both the beginner and advanced student alike. Duration Each class lasts around one and a half hours. Eating Please ensure that meals are not taken at least 2 hours before undertaking any training. Membership The full annual membership fee is £50.00 and is payable during the month of January every year. The annual membership fee or part thereof (if joining later in the year) is payable 1 month after commencing classes. Membership Entitlements Classes in Traditional Japanese Budo Events, Seminars and Workshops take place at various times and locations each year. Budokan teaching and philosophy Kyu and Dan Grading Accreditation Entitles members to be graded according to the training schedule laid down by Budokan and to receive certification accordingly. See Certification Monthly Learning Fees Training takes place in the Dojo. Learning takes place online in our Library. These fees are not based on attendance at the Dojo only - as just as much learning is taking place online now, which can be accessed at any time and this trend will continue into the future. The learning fee is therefore based on content provided for training in the Dojo, complemented by content available online, including text, audio, pictures and video, only to those who pay this fee, who will have automatic access to the Library by unique password only. These fees are due on the first day of each month, and are variable from year to year. All fees are paid initially by bank transfer and then by Monthly Standing Order or Direct Debit We pride ourselves in trying to provide the very best tuition for all of our members at all times. GRADINGS AND RECOGNITION Budokan confers its grades and ranks onto its exponents of Japanese Budo disciplines that it teaches, in much the same way as the Classical Bujutsu Menkyo system operated and still found in some Ryu in Japan today. Gradings do not take place as a form of a test on a given day. Budokan “gradings” take place each and every time a student comes to train in the dojo by peer review, where things like attitude, respect, loyalty, courtesy, diligence, compassion and attendance are all closely observed. Grades are awarded annually during the last Workshop of each year and when required at courses such as Workshops that take place throughout each year. Kyu Grades - Mudansha - All ranks below Black Belt are awarded verbally and result in the student being recognised for the progress made up to Dan Grade rank. All students start out wearing a white belt, then move up to green belt and on to brown belt in recognition of the progress being made. At the appropriate time the student will be invited to prepare for their Shodan or First Black Belt one year in advance of taking this grading. Students who have had previous experience in Budo may be asked to prepare for their Shodan or First Black Belt, if approved of by the Shihankai or Senior Dan Grade members or officers of the Dojo. In the first instance, the training schedule is applied to four elements. Zanshin – literally translated as “the observation of the opponent or situation before, during and after the execution of the technique”. Waza – the technical ability in the performance of technique. It is part of Zanshin and includes posture, stance, strength, stamina and flexibility. Aite no keiko – Partner Practice. The ability to function with a partner incorporating Zanshin and Waza. Koko no keiko – Individual Practice. The ability to express Zanshin and Waza on one’s own. In the second instance the grading considers the individual’s:- attendance record contribution to the dojo personal character Dan Grades - Yudansaha All eligible Kyu grade students are allowed to take their Black Belt Dan Grades by invitation only under the same peer review process. Budokan will only award its coveted Black Belt in Budo to those who have accomplished an advanced level in Karate, Aikido and Iaido. Budokan only provides certification for Dan Grades and these certificates are awarded once a year at the annual end of year Workshop, which takes place in early December. Black Belt or Shodan certified students will be invited to wear the hakama as part of their dojo apparel, which makes them instantly recognisable as a Dan Grade. Further guidelines for Dan Grade holders Dan means step. So holding a 1st Dan is simply the first step along the journey. It is the base camp and not the summit of the mountain of a lifetime dedication to training, so often depicted as just that in the West. In Japan, it is simply a step from nothing to something on the lowest rung of the Dan Grade ladder. In Japan you will need to have the rank of Godan - 5 Dan - before you are recognised as having devoted many years to training. Recommendation is based on years of training, skill prowess, accomplishments, dedication and service, teaching and instruction and excellence in personal character. SEE ACCREDITATION AND CERTIFICATION . It is important that all students have the correct clothing and equipment in order to practice traditional Japanese Budo safely. Budokan adopts a "No Gi - No Training" rule. You will need a white Gi to practise - see below. You will not be allowed to practice without one. For the first month of training Budokan can provide new members with a Gi to wear at no charge. Just let us know and we will arrange one for all new members without a Gi. After the first month, new members will be required to buy their own Gi. This equipment can be ordered through Budokan via Nine Circles - a UK based importer, who we recommend for all equipment for beginners and new students. We have a discount arrangement in place with them for our members. Please ask for further information. Click any of the three links below, to view the exact recommended items for all new members and beginners. CLOTHING AND EQUIPMENT Aikido Gi - Intermediate 500g Sashiko Ori All these gi have been pre-shrunk - but on a hot wash and dryer - there is a little further shrinkage. Height Chart Feet/InchesCm Feet/InchesCm 5’ 2”1603 5’ 9”1805 5’ 4”1653.5 6’ 0”1855.5 5’ 55”1704 6’ 2”1906 5’ 7”1754.5 6’ 5”1956.5 Within the first three months all new members will need to buy a wooden sword (bokken) and staff (jo) for training purposes. Shiro Kashi White Oak Bokken 102cm Product Code Daito Includes Tsuba and Dome Shiro Kashi White Oak Jo Total length 127cm 2.5cm in diameter Product code – Jo Budokan is a member of the Nine Circles Giri discount scheme on mpst of their clothing and equipment. If you are a member of Budokan and wish to benefit from discounts on offer - just email us and we will send you our username and password. You can then buy direct. AFTER THE FIRST THREE YEARS MOST STUDENTS WILL WANT TO UPGRADE THEIR EQUIPMENT AND BUDOKAN WILL THEN RECOMMEND BUYING DIRECT FROM JAPAN FROM RELIABLE SOURCES KNOWN TO US.